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My father was temperamentally nervous and obsessively religious—to the point of psychoneurosis. From him I inherited the seeds of madness. The angels of fear, sorrow, and death stood by my side since the day I was born.

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
Born
Nervous
Fear
Angel
Temperamentally
Father
Sorrow
Obsessively
Death
Side
Inherited
Sides
Stood
Since
Angels
Religious
Seeds
Point
Madness

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There is a battle that goes on between men and women. Many people call it love.
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The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
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The Academies of Art are nothing but great painting factories - those with talent are fed in at one end, and they come out as mechanical painting machines.
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I have no fear of photography as long as it cannot be used in heaven and in hell.
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I don’t believe in an art that is not born out of man’s need to open his heart.
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Without fear and illness, I could never have accomplished all I have
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All art, literature, and music must be born in your heart's blood. Art is your heart's blood.
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My art is rooted in a single reflection: why am I not as others are? ... my art gives meaning to my life.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being... You should not paint the chair, but only what someone has felt about it.
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Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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It is better to have a good painting with ten holes than ten bad paintings without any holes.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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My breakthrough came very late in life, really only starting when I was 50...I had the strength for new deeds and ideas.
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I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
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Some colors reconcile themselves to one another, others just clash.
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My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
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