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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
Form
Colors
Doe
Mood
Make
Forms
Life
Seeking
Quickened
Painting
Phonograph
Color
Vibrate
Lines
Paintings
Seen
Origin

More quotes by Edvard Munch

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In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head
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When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.
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I don’t believe in an art that is not born out of man’s need to open his heart.
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Without fear and illness, I could never have accomplished all I have
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Some colors reconcile themselves to one another, others just clash.
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Without anxiety and illness I would have been like a ship without a rudder.
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I have been given a unique role to play on this earth: given to me by a life filled with sickness, ill-starred circumstances and my profession as an artist. It is a life that contains nothing that resembles happiness, and moreover does not even desire happiness.
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Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being... You should not paint the chair, but only what someone has felt about it.
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There is a battle that goes on between men and women. Many people call it love.
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My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
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I sense a scream passing through nature. I painted ... the clouds as actual blood. The colour shrieked.
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
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Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
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My breakthrough came very late in life, really only starting when I was 50...I had the strength for new deeds and ideas.
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I was walking along a road one evening – on one side lay the city, and below me was the fjord. The sun went down – the clouds were stained red, as if with blood. I felt as though the whole of nature was screaming – it seemed as though I could hear a scream. I painted that picture, painting the clouds like real blood. The colours screamed.
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I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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Your face encompasses the beauty of the whole earth. Your lips, as red as ripening fruit, gently part as if in pain. It is the smile of a corpse. Now the hand of death touches life. The chain is forged that links the thousand families that are dead to the thousand generations to come.
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I have no fear of photography as long as it cannot be used in heaven and in hell.
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