Quote

When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
People
Failing
Experiment
Simply
Height
Greater
Experiments
Understand
Selling
Order
Develop
Never
Strive
Think
Fail
Thinking
Paint
Heights

More quotes by Edvard Munch

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I sense a scream passing through nature. I painted ... the clouds as actual blood. The colour shrieked.
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The rich man who gives, steals twice over. First he steals the money and then the hearts of men.
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Youth must go ahead and prosper. These young painters are all very talented people, but they all paint frescoes.
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I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.
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In my childhood I always felt that I was treated unjustly, without a mother, sick, and with the threat of punishment in Hell hanging over my head
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I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.
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My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
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Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being... You should not paint the chair, but only what someone has felt about it.
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Without fear and disease, my life would be like a boat without oars.
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I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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I don’t believe in an art that is not born out of man’s need to open his heart.
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To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does not see anything and notices only the damp smell of putrefaction.
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My breakthrough came very late in life, really only starting when I was 50...I had the strength for new deeds and ideas.
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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My father was temperamentally nervous and obsessively religious—to the point of psychoneurosis. From him I inherited the seeds of madness. The angels of fear, sorrow, and death stood by my side since the day I was born.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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It is better to have a good painting with ten holes than ten bad paintings without any holes.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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