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Without fear and disease, my life would be like a boat without oars.

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
Disease
Courage
Fear
Without
Would
Life
Oars
Like
Oar
Boat

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When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.
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I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.
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Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.
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Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being... You should not paint the chair, but only what someone has felt about it.
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I painted the picture, and in the colors the rhythm of the music quivers. I painted the colors I saw.
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I have no fear of photography as long as it cannot be used in heaven and in hell.
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My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.
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I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on earth will be continued in the hereafter.
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By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life.
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At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
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My art is rooted in a single reflection: why am I not as others are? ... my art gives meaning to my life.
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It is better to have a good painting with ten holes than ten bad paintings without any holes.
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When I paint a person, his enemies always find the portrait a good likeness.
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I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell.
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Some colors reconcile themselves to one another, others just clash.
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To die is as if one's eyes had been put out and one cannot see anything any more. Perhaps it is like being shut in a cellar. One is abandoned by all. They have slammed the door and are gone. One does not see anything and notices only the damp smell of putrefaction.
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I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
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Without anxiety and illness I would have been like a ship without a rudder.
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My breakthrough came very late in life, really only starting when I was 50...I had the strength for new deeds and ideas.
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