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It was always my intention that The Frieze should be housed in a room which would provide a suitable architectural frame for it.

Edvard Munch

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Edvard Munch
Age: 80 †
Born: 1863
Born: January 1
Died: 1944
Died: January 1
Draftsperson
Drawer
Graphic Artist
Painter
Printmaker
E. Munch
Munch
edv. munch
Always
Architectural
Would
Suitable
Frame
Provide
Intention
Room
Rooms
Artist
Housed

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Your face encompasses the beauty of the whole earth. Your lips, as red as ripening fruit, gently part as if in pain. It is the smile of a corpse. Now the hand of death touches life. The chain is forged that links the thousand families that are dead to the thousand generations to come.
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I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.
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My art is rooted in a single reflection: why am I not as others are? ... my art gives meaning to my life.
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Without fear and disease, my life would be like a boat without oars.
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Without fear and illness, I could never have accomplished all I have
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Nature is not only all that is visible to the eye... it also includes the inner pictures of the soul.
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I have been given a unique role to play on this earth: given to me by a life filled with sickness, ill-starred circumstances and my profession as an artist. It is a life that contains nothing that resembles happiness, and moreover does not even desire happiness.
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The viewers must come to understand the sacredness of painting, so they will remove their hats as if they were in church.
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Some colors reconcile themselves to one another, others just clash.
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My breakthrough came very late in life, really only starting when I was 50...I had the strength for new deeds and ideas.
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The Academies of Art are nothing but great painting factories - those with talent are fed in at one end, and they come out as mechanical painting machines.
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At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
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I was walking along a road one evening – on one side lay the city, and below me was the fjord. The sun went down – the clouds were stained red, as if with blood. I felt as though the whole of nature was screaming – it seemed as though I could hear a scream. I painted that picture, painting the clouds like real blood. The colours screamed.
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My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
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When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.
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I have no fear of photography as long as it cannot be used in heaven and in hell.
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The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting.
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Oil-painting is a developed technique. Why go backwards?
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My father was temperamentally nervous and obsessively religious—to the point of psychoneurosis. From him I inherited the seeds of madness. The angels of fear, sorrow, and death stood by my side since the day I was born.
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When I paint a person, his enemies always find the portrait a good likeness.
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