Because I know war... because I know the horror, I don't want to add to it. .........After the war, we felt the need to celebrate life, and for me photography was the means to achieve this.

All my photographs are about meetings and about coups de foudre - love at first sight. To do that type of photography, one must wipe the canvas clean to prepare for chance encounters, be open and aware to such moments, otherwise it becomes a cliché - already seen and expected.

Nowadays, photographers start out with ideas, and their photos become the expression of an idea. To my way of thinking, a photo should not depend on ideas, should go beyond ideas.

Millions of unnecessary photos are taken every day. People stand before the Pyramids and photograph them, when for three cents they could buy postcards which show them much better.

The most important thing is to go out and see the stars, not to see them in books.

You cannot live when you are untouchable. Life is vulnerability.

In some way, a photo is like a stolen kiss. In fact a kiss is always stolen, even if the woman is consenting. With a photograph it's the same: always stolen, and still slightly consenting.

The wandering photographer sees the same show that everyone else sees. He, however, stops to watch it.

There are certain pictures I can never take. We turn on the TV and are smothered with cruelty and suffering and I don't need to add to it. So I just photograph peaceful things. A vase of flowers, a beautiful girl. Sometimes, through a peaceful face, I can bring something important into the world.

To me, photography is like a quest, or a pilgrimage, or a hunt. I love painting, I love music, but photography is what has allowed me to get outside of myself.

Was it the same light that enchanted the first photographers? It is the same, and it is still brand new - it is something that never wears out.