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There is no such thing as Intelligence one has intelligence of this or that. One must have intelligence only for what one is doing.

Edgar Degas

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Edgar Degas
Age: 83 †
Born: 1834
Born: July 19
Died: 1917
Died: September 27
Artist
Draftsperson
Drawer
Engraver
Graphic Artist
Lithographer
Painter
Photographer
Poet
Sculptor
Paris
France
Hilaire Germain Edgar de Gas
Ėdgar Dega
Edgar Germain Hilaire Degas
Edgar Dega
Hilarie Germain Edgar Degas
H. G. E. Degas
E. Degas
Hilaire Germain Degas
hilaire germain edgar degas
Te-chia
degas edgar
Edgar Hilaire Germain Degas
h.g.e. degas
edgar hilaire germain degas
h.e.g. degas
Hilaire-Germain-Edgar De Gas
hilaire degas
Jilaira
Intelligence
Must
Thing

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I'll buy a bottle for anyone who can tell me what makes a picture beautiful!
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Art critic! Is that a profession? When I think we are stupid enough, we painters, to solicit those people's compliments and to put ourselves into their hands! What shame! Should we even accept that they talk about our work?
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We were created to look at one another, weren't we?
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Realism is more important than the sentiment of the picture.
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Truth is never ugly when one can find in it what one needs.
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The frame is the reward of the artist.
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Muses work all day long and then at night get together and dance.
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It is people's movement that consoles us. If the leaves of a tree did not move, how sad would be the tree - and so should we.
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Drawing is not what you see but what you must make others see.
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One does not marry art. One ravishes it.
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Painting is easy when you don't know how, but very difficult when you do.
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There is a kind of success that is indistinguishable from panic.
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What a horrible thing yellow is.
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And even this heart of mine has something artificial. The dancers have sewn it into a bag of pink satin, pink satin slightly faded, like their dancing shoes.
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In painting you must give the idea of the true by means of the false.
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You have to have a high conception, not of what you are doing, but of what you may do one day: without that, there's no point in working.
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People call me the painter of dancing girls. It has never occurred to them that my chief interest in dancers lies in rendering movement and painting pretty clothes.
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It is all very well to copy what one sees, but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.
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Even in front of nature one must compose.
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I should like to be famous and unknown.
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