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In for ever knowing, we are for ever blessed but to know all were the curse of a fiend

Edgar Allan Poe

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Edgar Allan Poe
Age: 40 †
Born: 1809
Born: January 19
Died: 1849
Died: October 7
Author
Crime Writer
Essayist
Journalist
Literary Critic
Literary Theorist
Lyricist
Novelist
Playwright
Poet
Science Fiction Writer
Writer
Boston
Massachusetts
Poe
Edgar Poe
E. A. Poe
Knowing
Ever
Fiend
Curse
Blessed

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And I fell violently on my face.
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And all I loved, I loved alone.
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Alas! for that accursed time They bore thee o'er the billow, From love to titled age and crime, And an unholy pillow! From me, and from our misty clime, Where weeps the silver willow!
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Every moment of the night Forever changing places And they put out the star-light With the breath from their pale faces
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Many years ago, I contracted an intimacy with a Mr. William Legrand. He was of an ancient Huguenot family, and had once been wealthy but a series of misfortunes had reduced him to want.
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Where the good and the bad and the worst and the best have gone to their eternal rest.
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The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
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I never can hear a crowd of people singing and gesticulating, all together, at an Italian opera, without fancying myself at Athens, listening to that particular tragedy, by Sophocles, in which he introduces a full chorus of turkeys, who set about bewailing the death of Meleager.
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There are some secrets which do not permit themselves to be told.
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It is impossible to say how first the idea entered my brain, but, once conceived, it haunted me day and night.
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It is the nature of truth in general, as of some ores in particular, to be richest when most superficial.
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Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.
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Were I called on to define, very briefly, the term Art, I should call it 'the reproduction of what the Senses perceive in Nature through the veil of the soul.' The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of 'Artist.'
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The object, Truth, or the satisfaction of the intellect, and the object, Passion, or the excitement of the heart, are, although attainable, to a certain extent, in poetry, far more readily attainable in prose.
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In the deepest slumber-no! In delirium-no! In a swoon-no! In death-no! even in the grave all is not lost.
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With me poetry has not been a purpose, but a passion.
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And so, being young and dipt in folly, I fell in love with melancholy.
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The mental features discoursed of as the analytical, are, in themselves, but little susceptible of analysis. We appreciate them only in their effects. We know of them, among other things, that they are always to their possessor, when inordinately possessed, a source of the liveliest enjoyment.
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Thy soul shall find itself alone ’Mid dark thoughts of the gray tombstone— Not one, of all the crowd, to pry Into thine hour of secrecy. Be silent in that solitude, Which is not loneliness—for then The spirits of the dead who stood In life before thee are again In death around thee—and their will Shall overshadow thee: be still. [...]
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Fill with mingled cream and amber, I will drain that glass again. Such hilarious visions clamber Through the chamber of my brain — Quaintest thoughts — queerest fancies Come to life and fade away What care I how time advances? I am drinking ale today.
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