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Keeping time, time, time, In a sort of Runic rhyme, To the tintinnabulation that so musically wells, From the bells, bells, bells.

Edgar Allan Poe

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Edgar Allan Poe
Age: 40 †
Born: 1809
Born: January 19
Died: 1849
Died: October 7
Author
Crime Writer
Essayist
Journalist
Literary Critic
Literary Theorist
Lyricist
Novelist
Playwright
Poet
Science Fiction Writer
Writer
Boston
Massachusetts
Poe
Edgar Poe
E. A. Poe
Rhyme
Bells
Keeping
Sort
Wells
Time
Icy
Musically

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He is, as you say, a remarkable horse, a prodigious horse, although as you very justly observe, a suspicious and untractable character.
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Indeed, there is an eloquence in true enthusiasm that is not to be doubted.
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If a man deceives me once, shame on him if he deceives me twice, shame on me.
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Where the good and the bad and the worst and the best have gone to their eternal rest.
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Quoth the Raven, Nevermore.
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Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.
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That pleasure which is at once the most pure, the most elevating and the most intense, is derived, I maintain, from the contemplation of the beautiful.
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Truth is not always in a well. In fact, as regards the more important knowledge, I do believe that she is invariably superficial. The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
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If we cannot comprehend God in his visible works, how then in his inconceivable thoughts, that call the works into being?
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Quaff, oh quaff this kind nepenthe, and forget this lost Lenore!
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The past is a pebble in my shoe.
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Alas! for that accursed time They bore thee o'er the billow, From love to titled age and crime, And an unholy pillow! From me, and from our misty clime, Where weeps the silver willow!
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One half of the pleasure experienced at a theatre arises from the spectator's sympathy with the rest of the audience, and, especially from his belief in their sympathy with him.
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Ceux qui revent eveilles ont conscience de 1000 choses qui echapent a ceux qui ne revent qu'endormis. The one who has day dream are aware of 1000 things that the one who dreams only when he sleeps will never understand. (it sounds better in french, I do what I can with my translation...)
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In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.
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Ghastly grim and ancient raven wandering from the nightly shore - Tell me what thy lordly name is on the Night's Plutonian shore! Quoth the raven, `Nevermore.
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And travellers, now, within that valley, Through the red-litten windows see Vast forms, that move fantastically To a discordant melody, While, like a ghastly rapid river, Through the pale door A hideous throng rush out forever And laugh — but smile no more.
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It is clear that a poem may be improperly brief. Undue brevity degenerates into mere epigrammatism. A very short poem, while now and then producing a brilliant or vivid, never produces a profound or enduring, effect. There must be the steady pressing down of the stamp upon the wax.
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Happiness is not to be found in knowledge, but in the acquisition of knowledge
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In death - no! even in the grave all is not lost. Else there is no immortality for man. Arousing from the most profound slumbers, we break the gossamer web of some dream. Yet in a second afterward, (so frail may that web have been) we remember not that we have dreamed.
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