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The eye, like a shattered mirror, multiplies the images of sorrow

Edgar Allan Poe

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Edgar Allan Poe
Age: 40 †
Born: 1809
Born: January 19
Died: 1849
Died: October 7
Author
Crime Writer
Essayist
Journalist
Literary Critic
Literary Theorist
Lyricist
Novelist
Playwright
Poet
Science Fiction Writer
Writer
Boston
Massachusetts
Poe
Edgar Poe
E. A. Poe
Mirrors
Sorrow
Eye
Like
Multiplies
Shattered
Images
Mirror

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The pioneers and missionaries of religion have been the real cause of more trouble and war than all other classes of mankind.
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I was cautious in what I said before the young lady for I could not be sure that she was sane and, in fact, there was a certain restless brilliancy about her eyes that half led me to imagine she was not.
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Men die nightly in their beds, wringing the hands of ghostly confessors ... on account of the hideousness of mysteries which will not suffer themselves to be revealed.
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There are few persons, even among the calmest thinkers, who have not occasionally been startled into a vague yet thrilling half credence in the supernatural, by coincidences of so seemingly marvellous a character that, as mere coincidences, the intellect has been unable to receive them.
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In [chess], where the pieces have different and bizarre motions, with various and variable values, what is only complex, is mistaken (a not unusual error) for what is profound
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Music, when combined with a pleasurable idea, is poetry music, without the idea, is simply music the idea, without the music, is prose, from its very definitiveness.
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Beauty is the sole legitimate province of the poem.
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From a proud tower in the town, Death looks gigantically down.
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The past is a pebble in my shoe.
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It is with literature as with law or empire - an established name is an estate in tenure, or a throne in possession.
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It is clear that a poem may be improperly brief. Undue brevity degenerates into mere epigrammatism. A very short poem, while now and then producing a brilliant or vivid, never produces a profound or enduring, effect. There must be the steady pressing down of the stamp upon the wax.
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A mystery, and a dream, should my early life seem.
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A poem deserves its title only inasmuch as it excites, by elevating the soul.
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To speak algebraically, Mr. M. is execrable, but Mr. G. is (x + 1)- ecrable.
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But in the expression of the countenance, which was beaming all over with smiles, there still lurked (incomprehensible anomalyl) that fitful strain of melancholy which will ever be found inseparable from the perfection of the beautiful.
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As a viewed myself in a fragment of looking-glass..., I was so impressed with a sense of vague awe at my appearance ... that I was seized with a violent tremour.
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And travellers, now, within that valley, Through the red-litten windows see Vast forms, that move fantastically To a discordant melody, While, like a ghastly rapid river, Through the pale door A hideous throng rush out forever And laugh — but smile no more.
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It may well be doubted whether human ingenuity can construct an enigma... which human ingenuity may not, by proper application, resolve.
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My next thought concerned the choice of an impression, or effect, to be conveyed: and here I may as well observe that, throughout the construction, I kept steadily in view the design.
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To see distinctly the machinery--the wheels and pinions--of any work of Art is, unquestionably, of itself, a pleasure, but one which we are able to enjoy only just in proportion as we do not enjoy the legitimate effect designed by the artist.
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