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For the moon never beams without bringing me dreams of the beautiful Annabel Lee
Edgar Allan Poe
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Edgar Allan Poe
Age: 40 †
Born: 1809
Born: January 19
Died: 1849
Died: October 7
Author
Crime Writer
Essayist
Journalist
Literary Critic
Literary Theorist
Lyricist
Novelist
Playwright
Poet
Science Fiction Writer
Writer
Boston
Massachusetts
Poe
Edgar Poe
E. A. Poe
Bringing
Moon
Dreams
Beautiful
Dream
Without
Annabel
Never
Beams
Beam
More quotes by Edgar Allan Poe
The goodness of your true pun is in the direct ratio of its intolerability.
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To see distinctly the machinery--the wheels and pinions--of any work of Art is, unquestionably, of itself, a pleasure, but one which we are able to enjoy only just in proportion as we do not enjoy the legitimate effect designed by the artist.
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-ev'n with us the breath Of Science dims the mirror of our joy.
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I have before suggested that a genuine blackguard is never without a pocket-handkerchief.
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There is no beauty without some strangeness
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In the marginalia ... we talk only to ourselves we therefore talk freshly - boldly - originally - with abandonment - without conceit.
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It is with literature as with law or empire - an established name is an estate in tenure, or a throne in possession.
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There is no passion in nature so demoniacally impatient, as that of him who, shuddering upon the edge of a precipice, thus meditates a Plunge.
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And much of Madness, and more of Sin, And Horror the soul of the plot.
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If you have never been at sea in a heavy gale, you can form no idea of the confusion of mind occasioned by wind and spry together. They blind, deafen, and strangle you, and take away all power of action or reflection.
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The eye, like a shattered mirror, multiplies the images of sorrow
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As for Republicanism, no analogy could be found for it upon the face of the earth—unless we except the case of the prairie dogs, an exception which seems to demonstrate, if anything, that democracy is a very admirable form of government—for dogs.
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In one case out of a hundred a point is excessively discussed because it is obscure in the ninety-nine remaining it is obscure because it is excessively discussed.
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In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.
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If we examine a work of ordinary art, by means of a powerful microscope, all traces of resemblance to nature will disappear - but the closest scrutiny of the photogenic drawing discloses only a more absolute truth, a more perfect identity of aspect with the thing represented.
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The writer who neglects punctuation, or mispunctuates, is liable to be misunderstood for the want of merely a comma, it often occurs that an axiom appears a paradox, or that a sarcasm is converted into a sermonoid.
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Truth is not always in a well. In fact, as regards the more important knowledge, I do believe that she is invariably superficial. The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
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Where the good and the bad and the worst and the best have gone to their eternal rest.
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How much more intense is the excitement wrought in the feelings of a crowd by the contemplation of human agony, than that brought about by the most appalling spectacles of inanimate matter.
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Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.
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