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The death then of a beautiful woman is unquestionably the most poetical topic in the world, and equally is it beyond doubt that the lips best suited for such topic are those of a bereaved lover.

Edgar Allan Poe

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Edgar Allan Poe
Age: 40 †
Born: 1809
Born: January 19
Died: 1849
Died: October 7
Author
Crime Writer
Essayist
Journalist
Literary Critic
Literary Theorist
Lyricist
Novelist
Playwright
Poet
Science Fiction Writer
Writer
Boston
Massachusetts
Poe
Edgar Poe
E. A. Poe
Beautiful
Lover
Best
Equally
Love
Lovers
Bereaved
Life
Lips
Poetical
World
Beyond
Unquestionably
Doubt
Suited
Woman
Topic
Death
Topics

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Dreams are the eraser dust I blow off my page. They fade into the emptiness, another dark gray day. Dreams are only memories of the plans I had back then. Dreams are eraser dust and now I use a pen.
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There is no passion in nature so demoniacally impatient, as that of him who, shuddering upon the edge of a precipice, thus meditates a Plunge.
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Quoth the Raven, Nevermore.
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Man is an animal that diddles, and there is no animal that diddles but man.
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I dread the events of the future, not in themselves but in their results.
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To him, who still would gaze upon the glory of the summer sun, there comes, when that sun will from him part, a sullen hopelessness of heart.
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In [chess], where the pieces have different and bizarre motions, with various and variable values, what is only complex, is mistaken (a not unusual error) for what is profound
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Were I called on to define, very briefly, the term Art, I should call it 'the reproduction of what the Senses perceive in Nature through the veil of the soul.' The mere imitation, however accurate, of what is in Nature, entitles no man to the sacred name of 'Artist.'
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He is, as you say, a remarkable horse, a prodigious horse, although as you very justly observe, a suspicious and untractable character.
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The reproduction of what the senses perceive in nature through the veil of the soul.
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The higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by all the elaborate frivolity of chess.
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Yet I am not more sure that my soul lives, than I am that perverseness is one of the primitive impulses of the human heartone of the indivisible primary faculties, or sentiments, which give direction to the character of Man.
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As the strong man exults in his physical ability, delighting in such exercises as call his muscles into action, so glories the analyst in that moral activity which disentangles.
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You are not wrong who deem That my days have been a dream Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream.
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But our love was stronger by far than the love Of those who were older than we Of many far wiser than we And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee.
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Now this is the point. You fancy me a mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded.
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The plots of God are perfect. The Universe is a plot of God.
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Scorching my seared heart with a pain, not hell shall make me fear again.
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I never can hear a crowd of people singing and gesticulating, all together, at an Italian opera, without fancying myself at Athens, listening to that particular tragedy, by Sophocles, in which he introduces a full chorus of turkeys, who set about bewailing the death of Meleager.
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My next thought concerned the choice of an impression, or effect, to be conveyed: and here I may as well observe that, throughout the construction, I kept steadily in view the design.
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