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In the deepest slumber-no! In delirium-no! In a swoon-no! In death-no! even in the grave all is not lost.

Edgar Allan Poe

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Edgar Allan Poe
Age: 40 †
Born: 1809
Born: January 19
Died: 1849
Died: October 7
Author
Crime Writer
Essayist
Journalist
Literary Critic
Literary Theorist
Lyricist
Novelist
Playwright
Poet
Science Fiction Writer
Writer
Boston
Massachusetts
Poe
Edgar Poe
E. A. Poe
Slumber
Deepest
Grave
Graves
Lost
Death
Even
Swoon
Delirium

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The reproduction of what the senses perceive in nature through the veil of the soul.
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Men have called me mad but the question is not yet settled, whether madness is or is not the loftiest intelligence– whether much that is glorious– whether all that is profound– does not spring from disease of thought– from moods of mind exalted at the expense of the general intellect.
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It is by no means an irrational fancy that, in a future existence, we shall look upon what we think our present existence, as a dream.
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Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made.
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The greater amount of truth is impulsively uttered thus the greater amount is spoken, not written.
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I could have clasped the red walls to my bosom as a garment of eternal peace. Death, I said, any death but that of the pit! Fool! might I have not known that into the pit it was the object of the burning iron to urge me?
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That man is not truly brave who is afraid either to seem or to be, when it suits him, a coward.
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To him, who still would gaze upon the glory of the summer sun, there comes, when that sun will from him part, a sullen hopelessness of heart.
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In [chess], where the pieces have different and bizarre motions, with various and variable values, what is only complex, is mistaken (a not unusual error) for what is profound
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A mystery, and a dream, should my early life seem.
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The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn,—not the material of my every-day existence--but in very deed that existence utterly and solely in itself.
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Music, when combined with a pleasurable idea, is poetry music, without the idea, is simply music the idea, without the music, is prose, from its very definitiveness.
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If a man deceives me once, shame on him if he deceives me twice, shame on me.
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This maiden she lived with no other thought Than to love and be loved by me.
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I never can hear a crowd of people singing and gesticulating, all together, at an Italian opera, without fancying myself at Athens, listening to that particular tragedy, by Sophocles, in which he introduces a full chorus of turkeys, who set about bewailing the death of Meleager.
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It is clear that a poem may be improperly brief. Undue brevity degenerates into mere epigrammatism. A very short poem, while now and then producing a brilliant or vivid, never produces a profound or enduring, effect. There must be the steady pressing down of the stamp upon the wax.
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When a madman appears thoroughly sane, indeed, it is high time to put him in a straight jacket.
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A short story must have a single mood and every sentence must build towards it.
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