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When, indeed, men speak of Beauty, they mean, precisely, not a quality, as is supposed, but an effect - they refer, in short, just to that intense and pure elevation of soul - not of intellect, or of heart.

Edgar Allan Poe

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Edgar Allan Poe
Age: 40 †
Born: 1809
Born: January 19
Died: 1849
Died: October 7
Author
Crime Writer
Essayist
Journalist
Literary Critic
Literary Theorist
Lyricist
Novelist
Playwright
Poet
Science Fiction Writer
Writer
Boston
Massachusetts
Poe
Edgar Poe
E. A. Poe
Pure
Precisely
Beauty
Intellect
Quality
Intense
Speak
Effect
Soul
Indeed
Mean
Supposed
Heart
Short
Elevation
Men
Effects
Refer

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A fool, for example, thinks Shakespeare a great poet . . . yet the fool has never read Shakespeare.
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A poem in my opinion, is opposed to a work of science by having for its immediate object, pleasure, not truth.
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Thank Heaven! The crisis /The danger is past, and the lingering illness, is over at last /, and the fever called ''Living'' is conquered at last.
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If a poem hasn't ripped apart your soul you haven't experienced poetry.
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That pleasure which is at once the most pure, the most elevating and the most intense, is derived, I maintain, from the contemplation of the beautiful.
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I have been happy, though in a dream. I have been happy-and I love the theme: Dreams! in their vivid colouring of life As in that fleeting, shadowy, misty strife
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You are not wrong who deem That my days have been a dream Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream.
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The Bostonians are really, as a race, far inferior in point of anything beyond mere intellect to any other set upon the continent of North America. They are decidedly the most servile imitators of the English it is possible to conceive.
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And all I loved, I loved alone.
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The customs of the world are so many conventional follies.
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I intend to put up with nothing that I can put down.
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To see distinctly the machinery--the wheels and pinions--of any work of Art is, unquestionably, of itself, a pleasure, but one which we are able to enjoy only just in proportion as we do not enjoy the legitimate effect designed by the artist.
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The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn,—not the material of my every-day existence--but in very deed that existence utterly and solely in itself.
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I became insane, with long intervals of horrible sanity.
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To vilify a great man is the readiest way in which a little man can himself attain greatness.
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It may be roundly asserted that human ingenuity cannot concoct a cipher which human ingenuity cannot resolve.
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Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made.
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The unity of effect or impression is a point of the greatest importance. It is clear, moreover, that this unity cannot be thoroughly preserved in productions whose perusal cannot be completed at one sitting.
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A million candles have burned themselves out. Still I read on. (Montresor)
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There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.
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