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I have, indeed, no abhorrence of danger, except in its absolute effect - in terror.
Edgar Allan Poe
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Edgar Allan Poe
Age: 40 †
Born: 1809
Born: January 19
Died: 1849
Died: October 7
Author
Crime Writer
Essayist
Journalist
Literary Critic
Literary Theorist
Lyricist
Novelist
Playwright
Poet
Science Fiction Writer
Writer
Boston
Massachusetts
Poe
Edgar Poe
E. A. Poe
Indeed
Except
Effects
Danger
Abhorrence
Literature
Absolutes
Absolute
Terror
Effect
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In reading some books we occupy ourselves chiefly with the thoughts of the author in perusing others, exclusively with our own.
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I am actuated by an ambition which I believe to be an honourable one the ambition of serving the great cause of truth, while endeavouring to forward the literature of the country.
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There are some secrets which do not permit themselves to be told.
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Once upon a midnight dreary, while I pondered weak and weary.
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Grammar is the analysis of language.
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Prophet! said I, thing of evil! - prophet still, if bird or devil! By that Heaven that bends above us- by that God we both adore- Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore- Clasp a rare and radiant maiden whom the angels name Lenore. Quoth the Raven, Nevermor
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To him, who still would gaze upon the glory of the summer sun, there comes, when that sun will from him part, a sullen hopelessness of heart.
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It is with literature as with law or empire - an established name is an estate in tenure, or a throne in possession.
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The generous Critic fann'd the Poet's fire, And taught the world with reason to admire.
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With me poetry has not been a purpose, but a passion.
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Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.
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Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.
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The writer who neglects punctuation, or mispunctuates, is liable to be misunderstood for the want of merely a comma, it often occurs that an axiom appears a paradox, or that a sarcasm is converted into a sermonoid.
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In [chess], where the pieces have different and bizarre motions, with various and variable values, what is only complex, is mistaken (a not unusual error) for what is profound
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There is no passion in nature so demoniacally impatient, as that of him who, shuddering upon the edge of a precipice, thus meditates a Plunge.
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That pleasure which is at once the most pure, the most elevating and the most intense, is derived, I maintain, from the contemplation of the beautiful.
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I wish I could write as mysterious as a cat.
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Even in the grave, all is not lost.
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When, indeed, men speak of Beauty, they mean, precisely, not a quality, as is supposed, but an effect - they refer, in short, just to that intense and pure elevation of soul - not of intellect, or of heart.
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I was cautious in what I said before the young lady for I could not be sure that she was sane and, in fact, there was a certain restless brilliancy about her eyes that half led me to imagine she was not.
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