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Stupidity is a talent for misconception.

Edgar Allan Poe

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Edgar Allan Poe
Age: 40 †
Born: 1809
Born: January 19
Died: 1849
Died: October 7
Author
Crime Writer
Essayist
Journalist
Literary Critic
Literary Theorist
Lyricist
Novelist
Playwright
Poet
Science Fiction Writer
Writer
Boston
Massachusetts
Poe
Edgar Poe
E. A. Poe
Thoughtful
Stupidity
Silly
Ignorance
Talent
Stupid
Misconception

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I remained too much inside my head and ended up losing my mind.
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Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made.
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I might refer at once, if necessary, to a hundred well authenticated instances. One of very remarkable character, and of which the circumstances may be fresh in the memory of some of my readers, occurred, not very long ago, in the neighboring city of Baltimore, where it occasioned a painful, intense, and widely extended excitement.
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In spite of the air of fablethe public were still not at all disposed to receive it as fable. I thence concluded that the facts of my narrative would prove of such a nature as to carry with them sufficient evidence of their own authenticity.
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Ah, broken is the golden bowl! the spirit flown forever! Let the bell toll!-a saintly soul floats on the Stygian river And, Guy de Vere, hast thou no tear?-weep now or nevermore!
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Once upon a midnight dreary, while I pondered weak and weary.
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There is then no analogy whatever between the operations of the Chess-Player, and those of the calculating machine of Mr. Babbage , and if we choose to call the former a pure machine we must be prepared to admit that it is, beyond all comparison, the most wonderful of the inventions of mankind.
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Scorching my seared heart with a pain, not hell shall make me fear again.
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From a proud tower in the town, Death looks gigantically down.
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[E]very plot, worth the name, must be elaborated to its dénouement before anything be attempted with the pen. It is only with the dénouement constantly in view that we can plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points tend to the development of the intention.
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Ceux qui revent eveilles ont conscience de 1000 choses qui echapent a ceux qui ne revent qu'endormis. The one who has day dream are aware of 1000 things that the one who dreams only when he sleeps will never understand. (it sounds better in french, I do what I can with my translation...)
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Grammar is the analysis of language.
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The world is a great ocean, upon which we encounter more tempestuous storms than calms.
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In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.
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Many years ago, I contracted an intimacy with a Mr. William Legrand. He was of an ancient Huguenot family, and had once been wealthy but a series of misfortunes had reduced him to want.
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For the moon never beams without bringing me dreams of the beautiful Annabel Lee
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And I fell violently on my face.
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And the Raven, never flitting, still is sitting, still is sitting...
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If the propositions of this Discourse are tenable, the state of progressive collapse is precisely that state in which alone we are warranted in considering All Things.
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For the moon never beams without bringing me dreams Of the beautiful Annabel Lee And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
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