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Actors who perhaps are super-confident and have absolute belief in themselves I always admire, because I can't really be like that.

Eddie Redmayne

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Eddie Redmayne
Age: 42
Born: 1982
Born: January 6
Actor
Film Actor
Model
Stage Actor
Television Actor
London
England
Edward John David Redmayne
Admire
Perhaps
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Actors
Really
Confident
Always
Super
Like
Absolutes
Absolute

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I love the Potter films. I found them the most wonderful sort of escapism every year or two.
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I did an interview once where I was asked who I found attractive and I went on about cartoons and Nala from 'The Lion King' - and it's a bit weird but various of my ex-girlfriends actually did look like Nala.
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My first film, 'Like Minds,' was with Toni Colette, who was extraordinary. I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen.
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I think all actors have a similar deal. You want some people who understand. Although it looks great - and is great - there are also shoddy moments when you feel really rotten, and when it's going well, you're not allowed to complain.
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If you've loved something and then in some ways you become a part of it, you just don't want to be the one that screws it up!
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I do get stopped a bit now and then, but I can go to the supermarket and on the Tube without being noticed. It's usually me that gets starstruck, especially by TV stars.
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Tequila is my salmon.
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It can be a miserable profession, acting, because you always want what you can’t have.
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Two years ago, I shot 'Pillars of the Earth' in Budapest - it was a big part, but I had a lot of time to sit around and visit cafes.
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Up there on the screen, we can all fly. But down here on earth, we need to be each others wings.
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I'm fully aware that I am a lucky, lucky man. This Oscar belongs to all of those people around the world battling ALS. It belongs to one exceptional family, and I will be it's custodian and I promise you that I will polish him, and wait on him hand and foot.
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Ladies and babies, and mortgages, for that matter, can all wait. Acting has done a strange thing to me, though. I often sit there, thinking, 'I love this, but I wouldn't put my daughter on the stage.'
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Listen, acting is not surgery, it's entertainment. You're doing something to hopefully move people, to make them laugh, to transport them. But actors are vulnerable, and the reason we're vulnerable is that we're always trying to recreate human behaviour.
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I always think of comedy as being spontaneous, and yet everything about filmmaking is not spontaneous.
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As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for Robert De Niro there's Al Pacino and for Pacino there's De Niro.
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Making 'Birdsong,' on the one hand you have how prestigious it is and the reputation of the book, which is something that's an extraordinary piece of work. Sebastian Faulkes is a genius. So you feel that responsibility when you're portraying that character that he's imagined and millions of readers have pictured.
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They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.
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In England we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.
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I'm just one gigantic ball of rancid fear and self-consciousness. I'm entirely fueled by fear, so the fact that I knew it could be a catastrophic disaster made me unable to sleep, and made me work quite hard.
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And you can't complain about kissing Emma Watson. Isn't that what everyone in the world wants to do? I've known Emma for a few years. She's this amazing capacity of young and vibrant and brilliant, but also a bright, intelligent old soul.
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