Quote

I go to the theater two or three times a week when I'm in London. Whereas I feel guilty going to the cinema in the middle of the afternoon.

Eddie Redmayne

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Eddie Redmayne
Age: 42
Born: 1982
Born: January 6
Actor
Film Actor
Model
Stage Actor
Television Actor
London
England
Edward John David Redmayne
Feel
Guilty
Feels
London
Going
Theater
Week
Middle
Times
Afternoon
Three
Whereas
Two
Cinema

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I'm just one gigantic ball of rancid fear and self-consciousness. I'm entirely fueled by fear, so the fact that I knew it could be a catastrophic disaster made me unable to sleep, and made me work quite hard.
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I walk around talking to myself in accents. Usually people look at me like I'm a complete fruit loop.
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They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.
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I love the Potter films. I found them the most wonderful sort of escapism every year or two.
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Listen, acting is not surgery, it's entertainment. You're doing something to hopefully move people, to make them laugh, to transport them. But actors are vulnerable, and the reason we're vulnerable is that we're always trying to recreate human behaviour.
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And you can't complain about kissing Emma Watson. Isn't that what everyone in the world wants to do? I've known Emma for a few years. She's this amazing capacity of young and vibrant and brilliant, but also a bright, intelligent old soul.
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I find that what doubt does, or fear, is it makes you come up with as many ideas as you possibly can. And on film that works 'cause you're then handing over that fear to the director, who has to make sense of all those options!
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Tequila is my salmon.
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If I do a film and have to get naked, that tends to dictate how often I go to the gym. Acting in 'Richard II' on stage was a huge physical workout, so I ended up more toned than I normally am.
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On so many levels, acting in film and TV is so much the sum of its parts, and somewhere in there, there's an alchemical thing that makes something happen or not - that makes something connect or not. Now, of course you want to make work that people see, but the enjoyment I get out of acting is playing characters.
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I did an interview once where I was asked who I found attractive and I went on about cartoons and Nala from 'The Lion King' - and it's a bit weird but various of my ex-girlfriends actually did look like Nala.
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Two years ago, I shot 'Pillars of the Earth' in Budapest - it was a big part, but I had a lot of time to sit around and visit cafes.
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Actors who perhaps are super-confident and have absolute belief in themselves I always admire, because I can't really be like that.
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I'm fully aware that I am a lucky, lucky man. This Oscar belongs to all of those people around the world battling ALS. It belongs to one exceptional family, and I will be it's custodian and I promise you that I will polish him, and wait on him hand and foot.
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Up there on the screen, we can all fly. But down here on earth, we need to be each others wings.
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I always think of comedy as being spontaneous, and yet everything about filmmaking is not spontaneous.
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As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for Robert De Niro there's Al Pacino and for Pacino there's De Niro.
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My first film, 'Like Minds,' was with Toni Colette, who was extraordinary. I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen.
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Ladies and babies, and mortgages, for that matter, can all wait. Acting has done a strange thing to me, though. I often sit there, thinking, 'I love this, but I wouldn't put my daughter on the stage.'
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It's the weird thing Eton does - you're at school next to lords and earls and, in my case, Prince William, so you end up being used to dealing with those sorts of people.
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