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I found myself often asking the question, Who deserves to be made fun of? Depending on your mood, the answer can be no one or everyone. It took me a while to understand the math of how those field pieces came together. I don't think that ridicule is ever funny, but there are times when that gets the biggest response.

Ed Helms

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Ed Helms
Age: 50
Born: 1974
Born: January 24
Actor
Banjoist
Character Actor
Comedian
Film Actor
Screenwriter
Television Actor
Voice Actor
Atlanta
Georgia
Edward Parker Helms
Edward Parker Egg Helms
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Field
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Times
Fields
Math
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You make adjustments according to the specifics of the character.It's something I feel like a lot of my comedic heroes have always done. It's not even necessarily vulnerability, always, but it's an earnestness, a genuine desire to actually do the right thing, but then still make really misguided, stupid decisions along the way.
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There really aren't any deletes [in The Hanover movie]. There's like one or two deleted scenes but they're not important or meaningful scenes.
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So long as your desire to explore is greater than your desire to not screw up, you're on the right track.
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All I knew is that I loved movies and comedy and TV, and I wanted to perform. I made a bunch of shorts and movies in college, and that was always fun too. I directed some plays in college. It was taking it all in and trying to immerse myself in as much of it as possible.
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You are literally too stupid to insult.
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It's a very collaborative environment [making The Office]. We always do takes of how it's scripted, but then we also mix it up a lot too. And it's kind of a crapshoot, you never know which one... I mean a lot of time improvisation doesn't go anywhere and it's not good at all but, so what was written is often times better.
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You see a lot of sides of people on a movie set because it can be really taxing and to kind of go through all that together - you really get to know someone.
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Shouldn't EVERY week be Infection Control Week?
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It was never tough [ being the new guy]. It's just the warmest group of people [The Office stuff] you could ever hope to work with.
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I grew up in Georgia and I think if you're raised in the South it's where a lot of the war was fought, and it's just more present in the sort of psyche of the South. So I've always just been interested and sort of fascinated by [Civil War].
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I'm kind of embarrassed by how quickly I adjusted to L.A. I really love it. It's so pleasant.
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Sometimes you just create a joke out of thin air in the editing room. So I'm really glad I've had that experience. It gives me a little more confidence in front of the camera.
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It's kind of hard to win most elections on anti-family, immorality, and Satan-worship.
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I cannot stress this enough - if you try to install an HDTV in a non-HDTV compatible house, you may tear the space-time continuum.
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You take a vacation to a place like Thailand and you're ready for the excitement of something new and foreign. But when you're working 14-hour days, all you want is something familiar to ground you. And there's just nothing there.
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I'm the worst in The Office. It's a problem. They've had to shut down the set for like 30 minutes because of me.
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As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting that, I'm just aware in the back of my head what an editor might want. And also, the problems editors run into when trying to edit performances - it helps me head that off at the pass a little.
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Working on The Daily Show, I co-produced all those field segments, and that's another huge thing.I probably did more than 100 field segments.
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Chickens are a symbol of chaos. Wherever you stick a chicken, unless it's a chicken farm, it's just chaos.
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With the tiger you're always on edge, and you always have to keep your distance. The monkey is far less threatening so you're more relaxed around the monkey, and I think that's actually hazardous.
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