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But after all, what have we to do with taverns? Real menace belongs to the drawing-room.
E. M. Forster
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E. M. Forster
Age: 91 †
Born: 1879
Born: January 1
Died: 1970
Died: June 7
Biographer
Essayist
Librettist
Literary Critic
Novelist
Science Fiction Writer
Screenwriter
Writer
London
England
Edward Morgan Forster
E Forster
EM Forster
Real
Taverns
Menace
Belongs
Drawing
Room
Rooms
Class
Society
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When that strange race nears the dust and is condemned as untouchable, then nature remembers the physical perfection that she accomplished elsewhere, and throws out a god-not many, but one here and there, to prove to society how little its categories impress her.
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There are moments when the inner life actually 'pays,' when years of self-scrutiny, conducted for no ulterior motive, are suddenly of practical use.
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I don't know what to think until I see what I've said.
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It isn't possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.
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To trust people is a luxury in which only the wealthy can indulge the poor cannot afford it.
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When we were only acquaintances, you let me be myself, but now you're always protecting me... I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place!
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Towns are after all excrescences, grey fluxions, where men, hurrying to find one another, have lost themselves.
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The novelist, unlike many of his colleagues, makes up a number of word-masses roughly describing himself (roughly: niceties shallcome later), gives them names and sex, assigns them plausible gestures, and causes them to speak by the use of inverted commas, and perhaps to behave consistently.
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England has always been disinclined to accept human nature.
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The people I respect most behave as if they were immortal and as if society was eternal. Both assumptions are false: both of them must be accepted as true if we are to go on eating and working and loving, and are to keep open a few breathing holes for the human spirit.
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Man has to pick up the use of his functions as he goes along- especially the function of Love.
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Ah, but you see, I didn't want to be fair.
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I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
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The people I respect most behave as if they were immortal and as if society was eternal.
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When I think of what life is, and how seldom love is answered by love it is one of the moments for which the world was made.
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But I have seen my obstacles: trivialities, learning and poetry. This last needs explaining: the old artist's readiness to dissolve characters into a haze. Characters cannot come alive and fight and guide the world unless the novelist wants them to remain characters.
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One can run away from women, turn them out, or give in to them. No fourth course.
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Love felt and returned, love which our bodies exact and our hearts have transfigured, love which is the most real thing that we shall ever meet, reappeared now as the world's enemy, and she must stifle it.
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Creative writers are always greater than the causes that they represent.
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I have almost completed a long novel, but it is unpublishable until my death and England's.
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