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One can run away from women, turn them out, or give in to them. No fourth course.
E. M. Forster
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E. M. Forster
Age: 91 †
Born: 1879
Born: January 1
Died: 1970
Died: June 7
Biographer
Essayist
Librettist
Literary Critic
Novelist
Science Fiction Writer
Screenwriter
Writer
London
England
Edward Morgan Forster
E Forster
EM Forster
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Course
Turns
Running
Away
Give
Women
Fourth
Giving
Turn
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Mistrust all enterprises that require new clothes.
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The book [ A Passage to India ] shows signs of fatigue and disillusionment but it has chapters of clear and triumphant beauty, and above all it makes us wonder, what will he write next?
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Pathos, piety, courage, they exist, but are identical, and so is filth. Everything exists, nothing has value.
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The novelist, unlike many of his colleagues, makes up a number of word-masses roughly describing himself (roughly: niceties shallcome later), gives them names and sex, assigns them plausible gestures, and causes them to speak by the use of inverted commas, and perhaps to behave consistently.
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God is not Love in the East. He is Power, although Mercy may temper it.
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. . . life is sometimes life and sometimes only a drama, and one must learn to distinguish t'other from which . . .
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Letters have to pass two tests before they can be classed as good: they must express the personality both of the writer and of the recipient.
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Excuse my mistakes, realize my limitations. Life is not easy as we know it on the earth.
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One person with passion is better than forty people merely interested.
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Our final experience, like our first, is conjectural. We move between two darkness's.
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Railway termini are our gates to the glorious and the unknown
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Life is a public performance on the violin, in which you must learn the instrument as you go along.
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I would rather be a coward than brave because people hurt you when you are brave.
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Love is always being given where it is not required.
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Surely the only sound foundation for a civilization is a sound state of mind.
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There is something majestic in the bad taste of Italy.
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The English countryside, its growth and its destruction, is a genuine and tragic theme.
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He educated Maurice, or rather his spirit educated Maurice's spirit, for they themselves became equal. Neither thought Am I led am I leading? Love had caught him out of triviality and Maurice out of bewilderment in order that two imperfect souls might touch perfection.
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Reverence is fatal to literature.
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This solitude opressed her she was accustomed to have her thoughts confirmed by others or, at all events, contradicted it was too dreadful not to know whether she was thinking right or wrong.
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