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I do like Christmas on the whole.... In its clumsy way, it does approach Peace and Goodwill. But it is clumsier every year.
E. M. Forster
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E. M. Forster
Age: 91 †
Born: 1879
Born: January 1
Died: 1970
Died: June 7
Biographer
Essayist
Librettist
Literary Critic
Novelist
Science Fiction Writer
Screenwriter
Writer
London
England
Edward Morgan Forster
E Forster
EM Forster
Every
Goodwill
Years
Holiday
Way
Christmas
Like
Approach
Year
Peace
Doe
Whole
Clumsy
More quotes by E. M. Forster
I don't think literature will be purged until its philosophic pretentiousness is extruded, and I shant live to see that purge, nor perhaps when it has happened will anything survive.
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He had shown her all the workings of his soul, mistaking this for love.
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The Germans are called brutal, the Spanish cruel, the Americans superficial, and so on but we are perfide Albion, the island of hypocrites, the people who have built up an Empire with a Bible in one hand, a pistol in the other, and financial concessions in both pockets. Is the charge true? I think it is.
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It is the starved imagination, not the well nourished, that is afraid.
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It was not that ladies were inferior to men it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored.
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I only wish the poets would say this too: love is of the body not the body, but of the the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul!
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It is so difficult - at least, I find it difficult - to understand people who speak the truth.
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I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life.
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. . . life is sometimes life and sometimes only a drama, and one must learn to distinguish t'other from which . . .
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But I have seen my obstacles: trivialities, learning and poetry. This last needs explaining: the old artist's readiness to dissolve characters into a haze. Characters cannot come alive and fight and guide the world unless the novelist wants them to remain characters.
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There's never any great risk as long as you have money.
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When we were only acquaintances, you let me be myself, but now you're always protecting me... I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place!
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For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better.
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There lies at the back of every creed something terrible and hard for which the worshipper may one day be required to suffer.
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Hardship is vanishing, but so is style, and the two are more closely connected than the present generation supposes.
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If only the sense of actuality can be lulled-and it sleeps for ever in most historians-there is no passion that cannot be gratified in the past.
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They had nothing in common but the English language.
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Only connect!...Only connect the prose and the passion.
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There is something majestic in the bad taste of Italy.
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Books have to be read it is the only way of discovering what they contain.
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