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Faith, to my mind, is a stiffening process, a sort of mental starch.
E. M. Forster
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E. M. Forster
Age: 91 †
Born: 1879
Born: January 1
Died: 1970
Died: June 7
Biographer
Essayist
Librettist
Literary Critic
Novelist
Science Fiction Writer
Screenwriter
Writer
London
England
Edward Morgan Forster
E Forster
EM Forster
Mental
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Faith
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Mind
Stiffening
Starch
More quotes by E. M. Forster
She must be assured that it is not a criminal offense to love at first sight.
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One has two duties - to be worried and not to be worried.
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But Humanity, in its desire for comfort, had over-reached itself. It had exploited the riches of nature too far. Quietly and complacently, it was sinking into decadence, and progress had come to mean the progress of the Machine.
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I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
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...the true spirit of gastronomic joylessness. Porridge fills the Englishman up, and prunes clear him out.
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It is the starved imagination, not the well nourished, that is afraid.
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At times our need for a sympathetic gesture is so great that we care not what exactly it signifies or how much we may have to pay for it afterwards.
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Hardship is vanishing, but so is style, and the two are more closely connected than the present generation supposes.
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It's not what people do to you, but what they mean, that hurts.
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I really don't know what happens next -- one so seldom does.
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The English countryside, its growth and its destruction, is a genuine and tragic theme.
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Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
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There are moments when the inner life actually 'pays,' when years of self-scrutiny, conducted for no ulterior motive, are suddenly of practical use.
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But I have seen my obstacles: trivialities, learning and poetry. This last needs explaining: the old artist's readiness to dissolve characters into a haze. Characters cannot come alive and fight and guide the world unless the novelist wants them to remain characters.
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Our final experience, like our first, is conjectural. We move between two darkness's.
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Life - No, I've nothing to teach you about it for the moment. May be writing about it another week.
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There is something majestic in the bad taste of Italy.
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The novelist, unlike many of his colleagues, makes up a number of word-masses roughly describing himself (roughly: niceties shallcome later), gives them names and sex, assigns them plausible gestures, and causes them to speak by the use of inverted commas, and perhaps to behave consistently.
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All invitations must proceed from heaven perhaps perhaps it is futile for men to initiate their own unity, they do but widen the gulfs between them by the attempt.
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The kingdom of music is not the kingdom of this world it will accept those whom breeding and intellect and culture have alike rejected.
E. M. Forster