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There is this whole level of communication that I think our generation and younger is used to that does have this weird effect on people. It creates a familiarity that is possibly not always justified. I think that's interesting and I think it's nice to be able to incorporate it into films, because most of us can relate to that now.

Duncan Jones

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Duncan Jones
Age: 53
Born: 1971
Born: May 30
Film Director
Screenwriter
Duncan Zowie Haywood Jones
Thinking
Interesting
Generation
Familiarity
People
Film
Communication
Justified
Doe
Films
Creates
Used
Effects
Possibly
Able
Level
Younger
Whole
Generations
Relate
Always
Levels
Weird
Think
Nice
Effect
Incorporate

More quotes by Duncan Jones

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I want to have the illegitimate child of independent film making and the budget to make it. That's my aspiration.
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I played lots of games and I was a fan of gaming, so I was always looking for new games.
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Bill Pearson is definitely a man to talk to, especially in the afternoon when he's had a couple of drinks because he's got so many stories and anecdotes.
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Hopefully, if I have done my job right, people will want to know and see more! There is certainly plenty more to tell. I would love to be part of that process of expanding on the lore that makes up Warcraft, but it will all depend on what you, the audience, think of our first film!
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One of the biggest changes for me on a practical level of shooting the film was having a second unit.
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There are things which need to be shown in the trailer in order to let the audience know what kind of film it is that they're going to be expecting to see.
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And as a first time director I needed to work with someone that I felt comfortable with, and that I could get along with. It was a perfect match [with Sam Rockwell] I am so thrilled I got to work with him. He is a really nice and incredible guy.
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I was massively jealous but also excited when Tarantino did Inglourious Basterds, I'm a huge guys on a mission fan. Those kind of movies.
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Life and career kind of catches up with you.
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I really don't see CG as a goal in its own right. I really do believe it's a tool. In the advertising industry I did a fair amount of CG, so I appreciate it for the tool that it is, and I think technologically where it's at now, you really can achieve most of your visual goals with either it or a mixture of it and practical effects.
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I've worked really hard to build up a career on my own. I turned 30 recently and it took me a long time to get the chance to make a feature film and do it on my own terms.
Duncan Jones
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We can't tell particularly smart stories if we want to keep our audience big enough to pay for these big spectacle films that we want to do.
Duncan Jones
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I'm a cruel man to myself.
Duncan Jones
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I was doing the promotion for Moon in LA at the same time that Tony Scott was there with [The Taking of] Pelham 123. But obviously he was so concentrating on his own film that he didn't even know I was doing a feature film.
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Here in the UK the audience immediately reacts and they get the fact that: What would be the most annoying thing in the world? A Chesney Hawkes alarm clock!
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You are spending millions and millions of dollars of other peoples money when you make a movie. You have to at least approach it in a way where you can see how you can make that money back for the people who are investing.
Duncan Jones
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I've been working my way to doing my first feature film for about ten years. So I went through the commercials route and some people come from a theatrical background and some people come from a writing background, but I directed commercials
Duncan Jones
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Fantasy films tend to skew towards what Tolkien fantasy was, which is that the humans, the Hobbits and the cute creatures are the good guys, and everything that's ugly are the bad guys.
Duncan Jones
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Every film I try and make it the way I see it in my head, and it really just depends on the script and the people I'm working with or whatever interests me at that particular time.
Duncan Jones
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You go through different stages when you're working on the music in film. At least, I do. You have a temp score, so you have music from other people, usually from other movies, to give you a sense of what the mood is supposed to be, what the atmosphere is.
Duncan Jones