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Fantasy films tend to skew towards what Tolkien fantasy was, which is that the humans, the Hobbits and the cute creatures are the good guys, and everything that's ugly are the bad guys.

Duncan Jones

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Duncan Jones
Age: 53
Born: 1971
Born: May 30
Film Director
Screenwriter
Duncan Zowie Haywood Jones
Everything
Towards
Humans
Tend
Good
Fantasy
Guys
Films
Hobbits
Creatures
Tolkien
Guy
Cute
Film
Ugly

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I was doing the promotion for Moon in LA at the same time that Tony Scott was there with [The Taking of] Pelham 123. But obviously he was so concentrating on his own film that he didn't even know I was doing a feature film.
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There are things which need to be shown in the trailer in order to let the audience know what kind of film it is that they're going to be expecting to see.
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Sam Rockwell has a fantastic sense of rhythm.
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For me, two of my favourite science fiction films are Blade Runner, which is fantastic, and Terry Gilliam's Twelve Monkeys. Both of those were smart science fiction films hitting more of a medium budget, and I desperately hope there is an audience for that kind of film because I would love that to be my next film, on that kind of scale.
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There is this whole level of communication that I think our generation and younger is used to that does have this weird effect on people. It creates a familiarity that is possibly not always justified. I think that's interesting and I think it's nice to be able to incorporate it into films, because most of us can relate to that now.
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Bill Pearson is definitely a man to talk to, especially in the afternoon when he's had a couple of drinks because he's got so many stories and anecdotes.
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I think that idea of being far away from the people that you love is something that everyone can relate to.
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You go through different stages when you're working on the music in film. At least, I do. You have a temp score, so you have music from other people, usually from other movies, to give you a sense of what the mood is supposed to be, what the atmosphere is.
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I've been working my way to doing my first feature film for about ten years. So I went through the commercials route and some people come from a theatrical background and some people come from a writing background, but I directed commercials
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Every time you want to reset your set and pull walls out and reset the lighting, you're burning up half an hour to an hour, and when you're trying to keep to a schedule, you're constantly having to reassess what's worth it and what you're going to have to give up in order to keep on schedule.
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Life and career kind of catches up with you.
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I played lots of games and I was a fan of gaming, so I was always looking for new games.
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I'm a cruel man to myself.
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Every film I try and make it the way I see it in my head, and it really just depends on the script and the people I'm working with or whatever interests me at that particular time.
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I've worked really hard to build up a career on my own. I turned 30 recently and it took me a long time to get the chance to make a feature film and do it on my own terms.
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And as a first time director I needed to work with someone that I felt comfortable with, and that I could get along with. It was a perfect match [with Sam Rockwell] I am so thrilled I got to work with him. He is a really nice and incredible guy.
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Here in the UK the audience immediately reacts and they get the fact that: What would be the most annoying thing in the world? A Chesney Hawkes alarm clock!
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You do look at a lot of movies and many characters seem to be interchangeable.
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I do enjoy the puzzle-solving aspect of making a movie.
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One of the biggest changes for me on a practical level of shooting the film was having a second unit.
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