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We can't tell particularly smart stories if we want to keep our audience big enough to pay for these big spectacle films that we want to do.

Duncan Jones

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Duncan Jones
Age: 53
Born: 1971
Born: May 30
Film Director
Screenwriter
Duncan Zowie Haywood Jones
Stories
Films
Enough
Smart
Pay
Audience
Bigs
Tell
Keep
Spectacle
Film
Particularly

More quotes by Duncan Jones

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I was doing the promotion for Moon in LA at the same time that Tony Scott was there with [The Taking of] Pelham 123. But obviously he was so concentrating on his own film that he didn't even know I was doing a feature film.
Duncan Jones
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I was massively jealous but also excited when Tarantino did Inglourious Basterds, I'm a huge guys on a mission fan. Those kind of movies.
Duncan Jones
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I've been working my way to doing my first feature film for about ten years. So I went through the commercials route and some people come from a theatrical background and some people come from a writing background, but I directed commercials
Duncan Jones
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Bill Pearson is definitely a man to talk to, especially in the afternoon when he's had a couple of drinks because he's got so many stories and anecdotes.
Duncan Jones
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I want to have the illegitimate child of independent film making and the budget to make it. That's my aspiration.
Duncan Jones
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Every film I try and make it the way I see it in my head, and it really just depends on the script and the people I'm working with or whatever interests me at that particular time.
Duncan Jones
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Here in the UK the audience immediately reacts and they get the fact that: What would be the most annoying thing in the world? A Chesney Hawkes alarm clock!
Duncan Jones
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I think we tried to make a film [Moon] that was about human beings as opposed to going from one special effects set piece to the next one, which is what a lot of science fiction films these days do.
Duncan Jones
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I'm not Akira Kurosawa. He used to write...He used to write a completely new spec script over a couple of nights. I'm not like that. It takes me a long time to put a film together that I want to make.
Duncan Jones
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I played lots of games and I was a fan of gaming, so I was always looking for new games.
Duncan Jones
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I've worked really hard to build up a career on my own. I turned 30 recently and it took me a long time to get the chance to make a feature film and do it on my own terms.
Duncan Jones
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One of the biggest changes for me on a practical level of shooting the film was having a second unit.
Duncan Jones
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There is this whole level of communication that I think our generation and younger is used to that does have this weird effect on people. It creates a familiarity that is possibly not always justified. I think that's interesting and I think it's nice to be able to incorporate it into films, because most of us can relate to that now.
Duncan Jones
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I really don't see CG as a goal in its own right. I really do believe it's a tool. In the advertising industry I did a fair amount of CG, so I appreciate it for the tool that it is, and I think technologically where it's at now, you really can achieve most of your visual goals with either it or a mixture of it and practical effects.
Duncan Jones
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Life and career kind of catches up with you.
Duncan Jones
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I think I was brought up with games and I don't think that they're just Pac-Man or Space Invaders. I think we've moved on, I think that there are stories being told and worlds being explored.
Duncan Jones
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When we first made this whole idea this was going to be calling card film [Moon] and it was going to give the opportunity to make my first feature film. But it turned out a lot better, we just couldn't stop ourselves from going into it, and we are very proud that it turned into something that people wanted to see.
Duncan Jones
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For me, two of my favourite science fiction films are Blade Runner, which is fantastic, and Terry Gilliam's Twelve Monkeys. Both of those were smart science fiction films hitting more of a medium budget, and I desperately hope there is an audience for that kind of film because I would love that to be my next film, on that kind of scale.
Duncan Jones
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You go through different stages when you're working on the music in film. At least, I do. You have a temp score, so you have music from other people, usually from other movies, to give you a sense of what the mood is supposed to be, what the atmosphere is.
Duncan Jones
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Sam Rockwell has a fantastic sense of rhythm.
Duncan Jones