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The word [jazz] never lost its association with those New Orleans bordellos. In the 1920s I used to try to convince Fletcher Henderson that we ought to call what we were doing 'Negro music'. But it's too late for that now.
Duke Ellington
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Duke Ellington
Age: 75 †
Born: 1899
Born: April 29
Died: 1974
Died: May 24
Autobiographer
Bandleader
Composer
Conductor
Film Score Composer
Jazz Arranger
Jazz Musician
Lyricist
Music Arranger
Musician
Pianist
Washington
District of Columbia
Edward Kennedy Duke Ellington
Edward Kennedy Ellington
Edward K. Ellington
Ought
Henderson
Call
Fletcher
Word
Orleans
Lost
Negro
Used
Association
Music
Convince
Trying
Jazz
Never
Late
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Every man prays in his own language.
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A musical profit outweighs a financial loss.
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I don’t believe in categories of any kind, and when you speak of problems between blacks and whites in the U.S.A. you are referring to categories again.
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On becoming more acquainted with the word of the Bible, I began to understand so much more of what I had been taught, and of what I had learned about life and about the people in mine.
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The wise musicians are those who play what they can master.
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Roaming through the jungle of Ohs and Ahs, searching for a more agreeable noise, I live a life of primitivity with the mind of a child and an unquenchable thirst for sharps and flats.
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There are two kinds of worries - those you can do something about and those you can't. Don't spend any time on the latter.
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Love is indescribable and unconditional. I could tell you a thousand things that it is not, but not one that it is. Either you have it or you haven't there's no proof of it.
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The Europeans who went to Africa came back with “modern' art. What is more African than a Picasso?
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Simplicity is a most complex form
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Problems are chances for us to do our best.
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Somehow I suspect that if Shakespeare were alive today, he might be a jazz fan himself.
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Without a deadline, baby, I wouldn't do nothing.
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I like any and all of my associations with music: writing, playing, and listening. We write and play from our perspective, and the audience listens from its perspective. If and when we agree, I am lucky.
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The problem of expressing the contributions that Benny Carter has made to popular music is so tremendous it completely fazes me, so extraordinary a musician is he.
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Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine.
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The common root, of course, comes out of Africa. That's the pulse.The African pulse. It's all the way back from . . . the old slave chants and up through the blues, the jazz, and up through rock. And it's all got the African pulse.
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Create, and be true to yourself, and depend only on your own good taste.
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