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It's much easier to do a fight sequence between two people, if one of the two people in the fight is a stunt person, or you're going to risk somebody getting hurt.
Doug Liman
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Doug Liman
Age: 59
Born: 1965
Born: July 24
Cinematographer
Executive Producer
Film Director
Film Producer
New York City
New York
Douglas Eric Liman
Much
Somebody
People
Hurt
Getting
Fighting
Stunt
Two
Sequence
Persons
Easier
Person
Fight
Going
Risk
More quotes by Doug Liman
The movie I end up with is the movie I aspired to make.
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It turns out that it's easier to do politics in a movie. People really don't want it in their TV.
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In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.
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If I'm not in love with the script, there's nothing. It doesn't matter what you give me. It has to start with the script.
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Obviously, anyone who has seen Mr. and Mrs. Smith knows that husband and wife married spies is something that I find particularly interesting.
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In the real world, if you're in a car chase, you're going to hit a million things and your car is going to end up a total wreck by the end.
Doug Liman
The thing about TV is it's a meritocracy. I love that aspect of it - and I've had shows that have gone on the air and been canceled. I've seen the good and the bad of it.
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At the end of the day, I like the spy genre, as opposed to the action movie genre, because spies are smart. The successful spies are the smarter spies.
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I live in New York City, and I'm making huge action movies. The people that make huge action movies live in L.A., and they're surrounded by other people who make huge action movies. I'm surrounded by people making documentaries!
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To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantic.
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There are actors who just bring an enormous amount of empathy. They just have thatit that makes you want to follow them and root for them.
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I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
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I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out.
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When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect, basically a 40-bloc radius from my apartment in Manhattan.
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I make movies for me and posterity. I'm more scared of history than I am of the studio.
Doug Liman
The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
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If you do something that's really original, you discover why everybody else does it the other way, usually. There's a reason cliches exist, 'cause they work.
Doug Liman
For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven.
Doug Liman
TV is a safe place to develop real characters.
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It's almost a work-shopping process to create the characters with the actors.
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