Quote

In the real world, if you're in a car chase, you're going to hit a million things and your car is going to end up a total wreck by the end.

Doug Liman

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Doug Liman
Age: 59
Born: 1965
Born: July 24
Cinematographer
Executive Producer
Film Director
Film Producer
New York City
New York
Douglas Eric Liman
Car
Millions
Ends
Real
Wreck
Going
Wrecks
Things
Chase
World
Total
Million

More quotes by Doug Liman

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To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantic.
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It's better to find a stunt person who can act. It's easier to do that than to find an actor who can do a stunt.
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I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
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Obviously, anyone who has seen Mr. and Mrs. Smith knows that husband and wife married spies is something that I find particularly interesting.
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I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out.
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The thing about TV is it's a meritocracy. I love that aspect of it - and I've had shows that have gone on the air and been canceled. I've seen the good and the bad of it.
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It's almost a work-shopping process to create the characters with the actors.
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At the end of the day, it's still a show about guys who ride extremely fast motorcycles for a living.
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If you do something that's really original, you discover why everybody else does it the other way, usually. There's a reason cliches exist, 'cause they work.
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It turns out that it's easier to do politics in a movie. People really don't want it in their TV.
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For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven.
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Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.
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There are actors who just bring an enormous amount of empathy. They just have thatit that makes you want to follow them and root for them.
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I think when the United States of America put a man on the moon in 1969, that was one of the greatest accomplishments mankind has ever done.
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I make movies for me and posterity. I'm more scared of history than I am of the studio.
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TV has no choice, but to rely on character, and everybody knows that. I love working in it. It's such a big canvas where, if you're successful, you go on for years.
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The movie I end up with is the movie I aspired to make.
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It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.
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It's much easier to do a fight sequence between two people, if one of the two people in the fight is a stunt person, or you're going to risk somebody getting hurt.
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The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
Doug Liman