Quote

Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.

Doug Liman

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Doug Liman
Age: 59
Born: 1965
Born: July 24
Cinematographer
Executive Producer
Film Director
Film Producer
New York City
New York
Douglas Eric Liman
Hard
Cold
Edit
Trying
Rooms
Edits
Really
Forget
Editing
Show
Intended
Shows
Missed
Look
Shoot
Looks
Somewhere
Take
Room

More quotes by Doug Liman

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The movie I end up with is the movie I aspired to make.
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Obviously, anyone who has seen Mr. and Mrs. Smith knows that husband and wife married spies is something that I find particularly interesting.
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The thing about TV is it's a meritocracy. I love that aspect of it - and I've had shows that have gone on the air and been canceled. I've seen the good and the bad of it.
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I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out.
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At the end of the day, I like the spy genre, as opposed to the action movie genre, because spies are smart. The successful spies are the smarter spies.
Doug Liman
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When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect, basically a 40-bloc radius from my apartment in Manhattan.
Doug Liman
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For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven.
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In movies, you can basically buy the audience into the theater. If you spend enough money on visual effects, even if you are lacking in story and character, you might still pull it off.
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If you do something that's really original, you discover why everybody else does it the other way, usually. There's a reason cliches exist, 'cause they work.
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I think when the United States of America put a man on the moon in 1969, that was one of the greatest accomplishments mankind has ever done.
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To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantic.
Doug Liman
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I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
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It turns out that it's easier to do politics in a movie. People really don't want it in their TV.
Doug Liman
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When you can come across a piece of material that's totally original and fun and completely satisfying, you jump on it.
Doug Liman
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It's almost a work-shopping process to create the characters with the actors.
Doug Liman
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I make movies for me and posterity. I'm more scared of history than I am of the studio.
Doug Liman
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The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
Doug Liman
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There are actors who just bring an enormous amount of empathy. They just have thatit that makes you want to follow them and root for them.
Doug Liman
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In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.
Doug Liman
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It's better to find a stunt person who can act. It's easier to do that than to find an actor who can do a stunt.
Doug Liman