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Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.

Doug Liman

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Doug Liman
Age: 59
Born: 1965
Born: July 24
Cinematographer
Executive Producer
Film Director
Film Producer
New York City
New York
Douglas Eric Liman
Show
Intended
Shows
Missed
Look
Shoot
Looks
Somewhere
Take
Room
Hard
Cold
Edit
Trying
Rooms
Edits
Really
Forget
Editing

More quotes by Doug Liman

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The beating heart of your story that's not what shows up in a trailer. The other stuff is what shows up in a trailer, because that's what gets people in to the seats, and that's how studios make their money.
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Sometimes rules are there to save your life.
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I think when the United States of America put a man on the moon in 1969, that was one of the greatest accomplishments mankind has ever done.
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The thing about TV is it's a meritocracy. I love that aspect of it - and I've had shows that have gone on the air and been canceled. I've seen the good and the bad of it.
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To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantic.
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The movie I end up with is the movie I aspired to make.
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When you can come across a piece of material that's totally original and fun and completely satisfying, you jump on it.
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It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.
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It turns out that it's easier to do politics in a movie. People really don't want it in their TV.
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In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.
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From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it.
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Obviously, anyone who has seen Mr. and Mrs. Smith knows that husband and wife married spies is something that I find particularly interesting.
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For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven.
Doug Liman
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At the end of the day, it's still a show about guys who ride extremely fast motorcycles for a living.
Doug Liman
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In the real world, if you're in a car chase, you're going to hit a million things and your car is going to end up a total wreck by the end.
Doug Liman
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I make movies for me and posterity. I'm more scared of history than I am of the studio.
Doug Liman
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I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
Doug Liman
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TV is a safe place to develop real characters.
Doug Liman
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If you do something that's really original, you discover why everybody else does it the other way, usually. There's a reason cliches exist, 'cause they work.
Doug Liman
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I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out.
Doug Liman