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It's almost a work-shopping process to create the characters with the actors.

Doug Liman

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Doug Liman
Age: 59
Born: 1965
Born: July 24
Cinematographer
Executive Producer
Film Director
Film Producer
New York City
New York
Douglas Eric Liman
Character
Work
Shopping
Characters
Create
Almost
Actors
Process

More quotes by Doug Liman

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I think when the United States of America put a man on the moon in 1969, that was one of the greatest accomplishments mankind has ever done.
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TV has no choice, but to rely on character, and everybody knows that. I love working in it. It's such a big canvas where, if you're successful, you go on for years.
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The movie I end up with is the movie I aspired to make.
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For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven.
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In movies, you can basically buy the audience into the theater. If you spend enough money on visual effects, even if you are lacking in story and character, you might still pull it off.
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I live in New York City, and I'm making huge action movies. The people that make huge action movies live in L.A., and they're surrounded by other people who make huge action movies. I'm surrounded by people making documentaries!
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In the real world, if you're in a car chase, you're going to hit a million things and your car is going to end up a total wreck by the end.
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I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end up being my way of keeping track of where I'm at and letting it all out.
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If I'm not in love with the script, there's nothing. It doesn't matter what you give me. It has to start with the script.
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TV is a safe place to develop real characters.
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If you do something that's really original, you discover why everybody else does it the other way, usually. There's a reason cliches exist, 'cause they work.
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When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect, basically a 40-bloc radius from my apartment in Manhattan.
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There are actors who just bring an enormous amount of empathy. They just have thatit that makes you want to follow them and root for them.
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Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.
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It's better to find a stunt person who can act. It's easier to do that than to find an actor who can do a stunt.
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It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.
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Obviously, anyone who has seen Mr. and Mrs. Smith knows that husband and wife married spies is something that I find particularly interesting.
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To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantic.
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It turns out that it's easier to do politics in a movie. People really don't want it in their TV.
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At the end of the day, it's still a show about guys who ride extremely fast motorcycles for a living.
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