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In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that.

Doug Liman

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Doug Liman
Age: 59
Born: 1965
Born: July 24
Cinematographer
Executive Producer
Film Director
Film Producer
New York City
New York
Douglas Eric Liman
Tomorrow
Explore
Real
Worlds
Heart
Particular
Drawn
Love
High
Edge
World
Perfect
Edges
Bigs
Concepts
Two
Characters
Stories
Meet
Canvas
Character

More quotes by Doug Liman

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I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
Doug Liman
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If you do something that's really original, you discover why everybody else does it the other way, usually. There's a reason cliches exist, 'cause they work.
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I live in New York City, and I'm making huge action movies. The people that make huge action movies live in L.A., and they're surrounded by other people who make huge action movies. I'm surrounded by people making documentaries!
Doug Liman
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At the end of the day, I like the spy genre, as opposed to the action movie genre, because spies are smart. The successful spies are the smarter spies.
Doug Liman
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It's much easier to do a fight sequence between two people, if one of the two people in the fight is a stunt person, or you're going to risk somebody getting hurt.
Doug Liman
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In the real world, if you're in a car chase, you're going to hit a million things and your car is going to end up a total wreck by the end.
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The thing about TV is it's a meritocracy. I love that aspect of it - and I've had shows that have gone on the air and been canceled. I've seen the good and the bad of it.
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To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantic.
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If I'm not in love with the script, there's nothing. It doesn't matter what you give me. It has to start with the script.
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Sometimes rules are there to save your life.
Doug Liman
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The movie I end up with is the movie I aspired to make.
Doug Liman
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In movies, you can basically buy the audience into the theater. If you spend enough money on visual effects, even if you are lacking in story and character, you might still pull it off.
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It's better to find a stunt person who can act. It's easier to do that than to find an actor who can do a stunt.
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From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it.
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It turns out that it's easier to do politics in a movie. People really don't want it in their TV.
Doug Liman
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Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.
Doug Liman
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At the end of the day, it's still a show about guys who ride extremely fast motorcycles for a living.
Doug Liman
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When I'm working on a film, I think about how it will play with a tiny audience of friends whose opinions I respect, basically a 40-bloc radius from my apartment in Manhattan.
Doug Liman
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For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven.
Doug Liman
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It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.
Doug Liman