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I never thought of London in terms of possible heroes - of course, there are thousands. It's a very talented city.

Doris Lessing

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Doris Lessing
Age: 94 †
Born: 1919
Born: October 22
Died: 2013
Died: November 17
Autobiographer
Essayist
Novelist
Playwright
Poet
Prosaist
Science Fiction Writer
Screenwriter
Writer
Bakhtaran
Doris May Tayler
Jane Somers
Thought
Hero
Never
Terms
City
Cities
Courses
Talented
Course
Heroes
Possible
Thousands
Term
London

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What matters most is that we learn from living.
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I treasure solitude. One doesn't have to have human contact.
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Nicknames are potent ways of cutting people down to size.
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It is quite easy to remark the absurdities and contradictions of a country's social system from outside its borders, but very difficult if one has been brought up in it.
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This is a catastrophic universe, always and subject to hidden reversals, upheavals, changes, cataclysms, with joy never anything but the song of substance under pressure forced into new forms and shapes.
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I write because I've always written, can't stop. I am a writing animal. The way a silk worm is a silk-producing animal.
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The automatic reaction of practically any young person is, at once, against authority. That, I think, began in the First World War because of the trenches, and the incompetence of the people on all fronts.
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It is our stories that will recreate us, when we are torn, hurt, even destroyed. It is the storyteller, the dream-maker, the myth-maker, that is our phoenix, that represents us at our best, and at our most creative.
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What the feminists want of me is something they haven't examined because it comes from religion. They want me to bear witness.
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Wisdom is better than weapons of war but one sinner destroyeth much good.
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[Some people think] that storytelling is telling jokes. So they have to be discouraged! Then others think that storytelling-is like an encounter group . . .
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I spend a good deal of time wondering how we will seem to the people who come after us. This is not an idle interest, but a deliberate attempt to strengthen the power of that other eye, which we can use to judge ourselves.
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Loneliness, she thought, was craving for other people's company. But she did not know that loneliness can be an unnoticed cramping of the spirit for lack of companionship.
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I am so happy to be communicating with people on this newest of new wavelengths which to some older people must seem like a kind of magic.
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Trust no friend without faults, and love a woman, but no angel.
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Always, in epochs when the languages and dialects of a culture have become outstripped by development of a practical sort, these languages become repetitive, formalised -- and ridiculous. Phrases, words, associations of sentences spin themselves out automatically, but have no effect: they have lost their power, their energy.
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What really fascinates me is this need that is so strong now that if you read a work of the imagination you instantly have to say, 'Oh, what this really is is so-and-so,' reducing it to a simple formula.
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I do not think writers or anybody would sit down and think they must write about some cause, or theme, or something. If they write about their own experiences, something true is going to emerge.
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Writers, and particularly female writers, have to fight for the conditions they need to work.
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The older I get the more secrets I have, never to be revealed and this, I know, is a common condition of people my age. and why all this emphasis on kissing and telling? Kisses are the least of it.
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