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For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments for audiences to feel, like, 'Whoa!' It's always been my forte.
Donnie Yen
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Donnie Yen
Age: 61
Born: 1963
Born: July 27
Actor
Choreographer
Film Actor
Film Director
Film Producer
Judoka
Karateka
Martial Artist
Producer
Taekwondo Athlete
Television Actor
Canton
Donnie Yen Ji-dan
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Particular
Forte
Audience
Whoa
Whether
Explosive
Moments
Explosives
Whole
Sequence
Feel
Audiences
Feels
Shocking
Always
Movement
More quotes by Donnie Yen
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I certainly hope 'Dragon' can leave some legacy behind.
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Personally, I prefer contemporary films, but the market calls for more period choices, especially since China opened up a cinema market in Hong Kong. There's a lot of restriction for contemporary films simply because of subject matter.
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When you watch my films, you're feeling my heart.
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I think every actor wants to try out different things.
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My mum lives in Boston she's famous for teaching wushu and t'ai chi. So from when I was young, my mum and aunt were like: 'You're training you're not playing baseball or football.' Training every day was normal. Later, when I was almost a teenager, Bruce Lee became my idol.
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It's a blessing to be given a variety of roles to what I call an iconic action actor like myself.
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Better to be called something positive and inspirational than something negative.
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In Hollywood, I'm lucky, I only do big movies like 'Blade.' It's much more comfortable: you have a trailer.
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I'm a very emotional guy.
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Bruce is the man. He was definitely ahead of his time.
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When audiences look at an action actor like myself, sometimes we are very easily stereotyped or characterized as one type. They forget that we are actors, too.
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An action choreographer is kind of like a dance choreographer. You choreograph the moves and you let the director, cinematographer take into positioning their cameras.
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I like to stay within the context of the character's background. If he's a cop, I have to make sure the audience is convinced that this person, a cop, can do only so much without a gun.
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I always tell younger filmmakers, it's not just about the acting or the art itself. It's about how big of an audience watches your film.
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For me, shooting, editing, and scoring rely on rhythm.
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I think a lot of people don't realize that martial arts are just an expression like anything else. It's just that most people are not trained to punch or kick, but you can walk or run or dance, which is also part of expression.
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When you direct a movie, you're basically looking at a story, the way you want to look at it. You bring that director's vision, and I'm totally open for that.
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