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For me, I like to have explosive moments, whether it is a particular movement itself in the whole sequence. I like to have shocking moments for audiences to feel, like, 'Whoa!' It's always been my forte.

Donnie Yen

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Donnie Yen
Age: 61
Born: 1963
Born: July 27
Actor
Choreographer
Film Actor
Film Director
Film Producer
Judoka
Karateka
Martial Artist
Producer
Taekwondo Athlete
Television Actor
Canton
Donnie Yen Ji-dan
Whole
Sequence
Feel
Audiences
Feels
Shocking
Always
Movement
Like
Particular
Forte
Audience
Whoa
Whether
Explosive
Moments
Explosives

More quotes by Donnie Yen

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I gained a lot of confidence after 'IP Man' as being a true actor. I went on to tackle what it is an actor is supposed to do before a film. Do a lot of research, get into the character. That's what I did with 'Dragon.'
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The main reason I like UFC is not just the martial arts aspect, but it's about one person against the other person. It's about being able to test yourself with the truth.
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I think action movies bring more excitement than tears, but I always want to take it to another level. I mean I think if one appreciates anything in life to a certain degree, it could possibly bring tears to your eyes.
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I act according to the requirements of the character, and if I try to play the role, then I play it truthfully. In my daily life, I'm a laid-back, peaceful guy. I'm just doing my job to act.
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My mum lives in Boston she's famous for teaching wushu and t'ai chi. So from when I was young, my mum and aunt were like: 'You're training you're not playing baseball or football.' Training every day was normal. Later, when I was almost a teenager, Bruce Lee became my idol.
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In Hollywood, I'm lucky, I only do big movies like 'Blade.' It's much more comfortable: you have a trailer.
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When you direct a movie, you're basically looking at a story, the way you want to look at it. You bring that director's vision, and I'm totally open for that.
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I like to stay within the context of the character's background. If he's a cop, I have to make sure the audience is convinced that this person, a cop, can do only so much without a gun.
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When you watch my films, you're feeling my heart.
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I'm a very emotional guy.
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For me, shooting, editing, and scoring rely on rhythm.
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Better to be called something positive and inspirational than something negative.
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I think every actor wants to try out different things.
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For me, the challenge of a period film is that, unlike a contemporary film where the character can be very free-form when it comes to the acting, there's a burden to acting in a period film because you have to stay within the character's historical background and the gestures of certain periods.
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An action choreographer is kind of like a dance choreographer. You choreograph the moves and you let the director, cinematographer take into positioning their cameras.
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I think a lot of people don't realize that martial arts are just an expression like anything else. It's just that most people are not trained to punch or kick, but you can walk or run or dance, which is also part of expression.
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I always tell younger filmmakers, it's not just about the acting or the art itself. It's about how big of an audience watches your film.
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I love working with older actors because number one, I can learn so much from them because they have so much experience. And it's fun to hear their stories from their era, some of the jokes.
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Personally, I prefer contemporary films, but the market calls for more period choices, especially since China opened up a cinema market in Hong Kong. There's a lot of restriction for contemporary films simply because of subject matter.
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I certainly hope 'Dragon' can leave some legacy behind.
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