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The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.

Donna Tartt

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Donna Tartt
Age: 60
Born: 1963
Born: December 23
Novelist
Writer
Greenwood
Mississippi
Donna Louise Tartt
Character
Approach
Littles
Friend
Little
Novel
Firsts
Story
Book
Language
Diction
First
Use
Landscape
Different
Stories
Characters
Long
Also
Completely

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...as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn't touch.
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I hope we're all ready to leave the phenomenal world, and enter into the sublime?
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I believe, in a funny way, the job of the novelist is to be out there on the fringes and speaking for an experience that has not really been spoken for.
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On the other hand, I mean, that is what writers have always been supposed to do, was to rely on their own devices and to - I mean, writing is a lonely business.
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When you feel homesick,’ he said, ‘just look up. Because the moon is the same wherever you go.
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Criticism at the wrong time, even if it's legitimate criticism, can be seriously damaging and make the writer lose faith in what he's doing. It's the timing that's all-important.
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Children - if you think back really what it was like to be a child and what it was like to know other children - children lie all the time
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And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.
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Does such a thing as the fatal flaw, that showy dark crack running down the middle of a life, exist outside literature?
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Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?
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I'm not sure whay I've been drawn to this subject, except that murder is a subject that has always drawn people for as long as people have been telling stories.
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But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’ Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.
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I had the epiphany that laughter was light, and light was laughter, and that this was the secret of the universe.
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From the window, above the clatter of pots and the slamming of cabinets, Francis was singing, as though it was the happiest song in the world: 'We are the little black sheep who have gone astray . . . Baa baa baa . . . Gentlemen songsters off on a spree . . . Doomed from here to eternity . . .
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I think it's hard to write about children and to have an idea of innocence.
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Even if it meant that she had failed, she was glad. And if what she'd wanted had been impossible from the start, still there was a certain lonely comfort in the fact that she'd known it was impossible and had gone ahead and done it anyway.
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It happened in New York, April 10th, nineteen years ago. Even my hand balks at the date. I had to push to write it down, just to keep the pen moving on the paper. It used to be a perfectly ordinary day, but now it sticks up on the calendar like a rusty nail.
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I really do work in solitude.
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It is is better to know one book intimately than a hundred superficially.
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I'd been assured, at age 21 or so, by a well-known editor who saw the first part of The Secret History in what was basically its final form, that it would never be published because no woman has ever written a successful novel from a male point of view.
Donna Tartt