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I think it's hard to write about children and to have an idea of innocence.

Donna Tartt

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Donna Tartt
Age: 60
Born: 1963
Born: December 23
Novelist
Writer
Greenwood
Mississippi
Donna Louise Tartt
Hard
Children
Writing
Think
Thinking
Innocence
Idea
Write
Ideas

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My novels aren't really generated by a single conceptual spark it's more a process of many different elements that come together unexpectedly over a long period of time.
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From the window, above the clatter of pots and the slamming of cabinets, Francis was singing, as though it was the happiest song in the world: 'We are the little black sheep who have gone astray . . . Baa baa baa . . . Gentlemen songsters off on a spree . . . Doomed from here to eternity . . .
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Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?
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Criticism at the wrong time, even if it's legitimate criticism, can be seriously damaging and make the writer lose faith in what he's doing. It's the timing that's all-important.
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The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
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When I looked at the painting I felt the same convergence on a single point: a flickering sun-struck instance that existed now and forever. Only occasionally did I notice the chain on the finch's ankle, or think what a cruel life for a little living creature - fluttering briefly, forced always to land in the same hopeless place.
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And the flavor of Pippa's kiss--bittersweet and strange--stayed with me all the way back uptown, swaying and sleepy as I sailed home on the bus, melting with sorrow and loveliness, a starry ache that lifted me up above the windswept city like a kite: my head in the rainclouds, my heart in the sky.
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I hope we're all ready to leave the phenomenal world, and enter into the sublime?
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Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.
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There's an expectation these days that novels - like any other consumer product - should be made on a production line, with one dropping from the conveyor belt every couple of years.
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I love the tradition of Dickens, where even the most minor walk-on characters are twitching and particular and alive.
Donna Tartt
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Not quite what one expected, but once it happened one realized it couldn't be any other way.
Donna Tartt
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Actually, I enjoy the process of writing a big long novel.
Donna Tartt
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I'd rather write one good book than ten mediocre ones.
Donna Tartt
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But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’ Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.
Donna Tartt
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To really be centered and to really work well and to think about the kinds of things that I need to think about, I need to spend large amounts of time alone.
Donna Tartt
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I guess that anything we manage to save from history is a miracle.
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Any action, in the fullness of time, sinks to nothingness.
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Children - if you think back really what it was like to be a child and what it was like to know other children - children lie all the time
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I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
Donna Tartt