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But romantic vision can also lead one away from certain very hard, ugly truths about life that are important to know.

Donna Tartt

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Donna Tartt
Age: 60
Born: 1963
Born: December 23
Novelist
Writer
Greenwood
Mississippi
Donna Louise Tartt
Also
Certain
Hard
Truths
Important
Romantic
Life
Ugly
Lead
Vision
Away

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Sometimes we want what we want even if we know it’s going to kill us.
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Actually, I enjoy the process of writing a big long novel.
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I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
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A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are.
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One likes to think there's something in it, that old platitude amor vincit omnia. But if I've learned one thing in my short sad life, it is that that particular platitude is a lie. Love doesn't conquer everything. And whoever thinks it does is a fool.
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My novels aren't really generated by a single conceptual spark it's more a process of many different elements that come together unexpectedly over a long period of time.
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Storytelling and elegant style don't always go hand in hand.
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All those layers of silence upon silence.
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When you feel homesick,’ he said, ‘just look up. Because the moon is the same wherever you go.
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When I looked at the painting I felt the same convergence on a single point: a flickering sun-struck instance that existed now and forever. Only occasionally did I notice the chain on the finch's ankle, or think what a cruel life for a little living creature - fluttering briefly, forced always to land in the same hopeless place.
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Even if it meant that she had failed, she was glad. And if what she'd wanted had been impossible from the start, still there was a certain lonely comfort in the fact that she'd known it was impossible and had gone ahead and done it anyway.
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Any action, in the fullness of time, sinks to nothingness.
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I think it's hard to write about children and to have an idea of innocence.
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There's an expectation these days that novels - like any other consumer product - should be made on a production line, with one dropping from the conveyor belt every couple of years.
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I guess that anything we manage to save from history is a miracle.
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Every new event—everything I did for the rest of my life—would only separate us more and more: days she was no longer a part of, an ever-growing distance between us. Every single day for the rest of my life, she would only be further away.
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It is is better to know one book intimately than a hundred superficially.
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But sometimes, unexpectedly, grief pounded over me in waves that left me gasping and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.
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You are - all your experience just kind of accumulates, and the novel takes a richness of its own simply because it has the weight of all those years that one's put into it.
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I'm not sure whay I've been drawn to this subject, except that murder is a subject that has always drawn people for as long as people have been telling stories.
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