Quote

Caring too much for objects can destroy you. Only—if you care for a thing enough, it takes on a life of its own, doesn’t it? And isn’t the whole point of things—beautiful things—that they connect you to some larger beauty?

Donna Tartt

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Donna Tartt
Age: 61
Born: 1963
Born: December 23
Novelist
Writer
Greenwood
Mississippi
Donna Louise Tartt
Beautiful
Larger
Care
Caring
Whole
Destroy
Enough
Objects
Thing
Takes
Much
Beauty
Things
Point
Life
Doesn
Connect

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The job of the novelist is to invent: to embroider, to color, to embellish, to entertain, to make things up. The art of what I do lies not in research or even recollection but primarily in invention.
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I'm not sure whay I've been drawn to this subject, except that murder is a subject that has always drawn people for as long as people have been telling stories.
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But sometimes, unexpectedly, grief pounded over me in waves that left me gasping and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead.
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I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.
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I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
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Criticism at the wrong time, even if it's legitimate criticism, can be seriously damaging and make the writer lose faith in what he's doing. It's the timing that's all-important.
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After all, the appeal to stop being yourself, even for a little while, is very great
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All those layers of silence upon silence.
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When you feel homesick,’ he said, ‘just look up. Because the moon is the same wherever you go.
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In short: I felt my existence was tainted, in some subtle but essential way.
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Beauty alters the grain of reality.
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For if the modern mind is whimsical and discursive, the classical mind is narrow, unhesitating, relentless. It is not a quality of intelligence that one encounters frequently these days. But though I can digress with the best of them, I am nothing in my soul if not obsessive.
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Sometimes it's about playing a poor hand well.
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The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
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I love the tradition of Dickens, where even the most minor walk-on characters are twitching and particular and alive.
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Everything takes me longer than I expect. It's the sad truth about life
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To really be centered and to really work well and to think about the kinds of things that I need to think about, I need to spend large amounts of time alone.
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Storytelling and elegant style don't always go hand in hand.
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Every new event—everything I did for the rest of my life—would only separate us more and more: days she was no longer a part of, an ever-growing distance between us. Every single day for the rest of my life, she would only be further away.
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Character, to me, is the life's blood of fiction
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