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And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.

Donna Tartt

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Donna Tartt
Age: 60
Born: 1963
Born: December 23
Novelist
Writer
Greenwood
Mississippi
Donna Louise Tartt
Fond
Farewell
Shore
Famous
Walton
Wave
Donne
Leave
Yore
Chum
Shores

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But romantic vision can also lead one away from certain very hard, ugly truths about life that are important to know.
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I had the epiphany that laughter was light, and light was laughter, and that this was the secret of the universe.
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Sometimes it's about playing a poor hand well.
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If he had his wits about him Bunny would surely keep his mouth shut but now, with his subconscious mind knocked loose from its perch and flapping in the hollow corridors of his skull as erratically as a bat, there was no way to be sure of anything he might do.
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You are - all your experience just kind of accumulates, and the novel takes a richness of its own simply because it has the weight of all those years that one's put into it.
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I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.
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In short: I felt my existence was tainted, in some subtle but essential way.
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When I looked at the painting I felt the same convergence on a single point: a flickering sun-struck instance that existed now and forever. Only occasionally did I notice the chain on the finch's ankle, or think what a cruel life for a little living creature - fluttering briefly, forced always to land in the same hopeless place.
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There's an expectation these days that novels - like any other consumer product - should be made on a production line, with one dropping from the conveyor belt every couple of years.
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Even if you need, and want, a second opinion, it can be dangerous to have people telling you what they think you ought to add, or cut, before you've even finished telling your story. One loses heart one loses energy and interest. Or at least I do.
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Actually, I enjoy the process of writing a big long novel.
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To understand the world at all, sometimes you could only focus on a tiny bit of it, look very hard at what was close to hand and make it stand in for the whole.
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Character, to me, is the life's blood of fiction
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From the window, above the clatter of pots and the slamming of cabinets, Francis was singing, as though it was the happiest song in the world: 'We are the little black sheep who have gone astray . . . Baa baa baa . . . Gentlemen songsters off on a spree . . . Doomed from here to eternity . . .
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The books I loved in childhood - the first loves - I’ve read so often that I’ve internalized them in some really essential way: they are more inside me now than out.
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For if the modern mind is whimsical and discursive, the classical mind is narrow, unhesitating, relentless. It is not a quality of intelligence that one encounters frequently these days. But though I can digress with the best of them, I am nothing in my soul if not obsessive.
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Beauty is terror. Whatever we call beautiful, we quiver before it.
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Every new event—everything I did for the rest of my life—would only separate us more and more: days she was no longer a part of, an ever-growing distance between us. Every single day for the rest of my life, she would only be further away.
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Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.
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I really do work in solitude.
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