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In short: I felt my existence was tainted, in some subtle but essential way.

Donna Tartt

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Donna Tartt
Age: 60
Born: 1963
Born: December 23
Novelist
Writer
Greenwood
Mississippi
Donna Louise Tartt
Way
Tainted
Subtle
Essential
Essentials
Short
Existence
Felt

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Sometimes we want what we want even if we know it’s going to kill us.
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Not quite what one expected, but once it happened one realized it couldn't be any other way.
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Beauty is terror. Whatever we call beautiful, we quiver before it.
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Criticism at the wrong time, even if it's legitimate criticism, can be seriously damaging and make the writer lose faith in what he's doing. It's the timing that's all-important.
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It is is better to know one book intimately than a hundred superficially.
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I'd rather write one good book than ten mediocre ones.
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I really do work in solitude.
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Everything takes me longer than I expect. It's the sad truth about life
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Love doesn't conquer everything. And whoever thinks it does is a fool.
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On the other hand, I mean, that is what writers have always been supposed to do, was to rely on their own devices and to - I mean, writing is a lonely business.
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To understand the world at all, sometimes you could only focus on a tiny bit of it, look very hard at what was close to hand and make it stand in for the whole.
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There's an expectation these days that novels - like any other consumer product - should be made on a production line, with one dropping from the conveyor belt every couple of years.
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I guess that anything we manage to save from history is a miracle.
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When I looked at the painting I felt the same convergence on a single point: a flickering sun-struck instance that existed now and forever. Only occasionally did I notice the chain on the finch's ankle, or think what a cruel life for a little living creature - fluttering briefly, forced always to land in the same hopeless place.
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And as we leave Donne and Walton on the shores of Metahemeralism, we wave a fond farewell to those famous chums of yore.
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My novels aren't really generated by a single conceptual spark it's more a process of many different elements that come together unexpectedly over a long period of time.
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I had the epiphany that laughter was light, and light was laughter, and that this was the secret of the universe.
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I'd been assured, at age 21 or so, by a well-known editor who saw the first part of The Secret History in what was basically its final form, that it would never be published because no woman has ever written a successful novel from a male point of view.
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The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
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I'm not sure whay I've been drawn to this subject, except that murder is a subject that has always drawn people for as long as people have been telling stories.
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