Quote

Now the industry is looking at the change in a very real way - to find ways of talking to the consumer much faster. Everything we have is changing with communication - from fashion to newspapers.

Donna Karan

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Donna Karan
Age: 76
Born: 1948
Born: October 2
Designer
Fashion Designer
New York City
New York
Donna Ivy Faske
Find
Changing
Everything
Communication
Real
Industry
Much
Fashion
Way
Ways
Consumer
Looking
Consumers
Talking
Newspapers
Change
Faster

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Every time I see the sunshine in the bright blue sky, I cannot help but think how blessed I really am to see another day. There are so many who may have not woken up to see it but I have been blessed.
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Where there is creativity, there is hope.
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I have tried to hold my philanthropic passion to fashion, because I think this is very important, and I realize I need to delve even deeper into it.
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It used to be only yoga, but now I do Pilates as well I feel like I need the balance.
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Sometimes it takes a germ of an idea, which takes a long time to digest.
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I can't tell you how much I appreciate these young [Israeli] designers. There's too much strife in the world. If we become united in our creativity, not only in what we wear, but what we do, we will change the world. It's truly an honor to be around such inspiration.
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When I go to Bali, when I come to India and travel and see different cultures. I make sure I'm involved in the world out there, creatively, culturally.
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Everyone contributes something different to the mind, body and spirit.
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Design is a constant challenge to balance comfort with luxe, the practical with the desirable.
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I also miss the support that I had of so many people. You know I'm a very Ma and Pa operation right now, and I was used to having everything working for me. It was a similar situation when I left Anne Klein and started Donna Karan. All of a sudden I was working in my apartment and it was, Oh my god, what am I doing?
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Everything I do is a matter of heart, body and soul.
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For me, starting each collection is always about what I really want, what I really need, and I was personally dying for sensual comfort. I think when you think of Donna Karan, you think of sensuality, but it's a different kind of sensuality. A kind of comfort sensuality that is one with your body and the way clothes feel on.
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I wanted to create something that would live on forever, beyond my time, and out of that came Cashmere Mist.
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I never see one woman when I design, it's always a universe of women
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I couldn't stand the fact that anybody else was dressing like me. It was supposed to be for me and my friends, not my daughter and her friends!
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Business, numbers, negotiations, all that stuff I wouldn't go near.
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I must say that the more you give, the more you get. Being able to find solutions, to help other people is extremely gratifying.
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I do remember how sexy my collection was after I first got involved with Stephan [Weiss]. That's one thing I don't have in my life now and...if anything, that's one thing I would love.
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I worked with a writer, Kathleen Boyce. It was a wonderful experience...but I didn't expect that the last chapter would be the last chapter of Donna Karan. That was probably the biggest shock.
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You have to keep your eyes and heart open - there are always new things to discover, new problems to solve.
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