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The first Halloween was very well made. The second one was also well made, though I didn't like it as well as the first one. The third one had nothing to do with the series at all and perhaps shouldn't have been made at all.
Donald Pleasence
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Donald Pleasence
Age: 75 †
Born: 1919
Born: October 5
Died: 1995
Died: February 2
Actor
Film Actor
Screenwriter
Television Actor
Donald Henry Pleasence
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Third
Wells
Thirds
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Well
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Nothing
Perhaps
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Halloween
More quotes by Donald Pleasence
I am not one of those actors who believes he has to live the part he is playing. I can turn it on and off.
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The idea of dying and coming back is what makes the Halloween films work.
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It's hard to play a continuing character like Loomis for nearly 11 years and simply wash your hands of him. It seems a pity.
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The process of creation goes on all the time. When I get through, I feel I know what the character will do in every situation. But the building up of the part is not mechanical or deliberate. It grows out of the text.
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I don't really know how many films I've done, and I don't look at this as a race that I necessarily want to win. Nor is it a race that I want to stop running.
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I'm hardly physically right for the hero parts, now am I?
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At this point in my career, it doesn't bother me much that I'm probably hopelessly typecast. I like to work, and horror films definitely keep me working.
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I believe you can frighten people without showing their heads caved-in.
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Continental directors, as opposed to British and American, tend to be somewhat high-handed in their approach.
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I think people have a tendency to read into more than there is.
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I do think the story in Halloween 5 is a bit stupid, and there's a lot more blood. They're obviously going to take the Halloween series in a different direction.
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What can I tell you about things like Circus of Horrors except that I get killed by the bear?
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All the real work is done in the rehearsal period.
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I loved working with Jamie Lee Curtis, and I felt she was a wonderful actress even that early in her career.
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The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself.
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