Quote

It's so nerve-wracking to go out into a stadium, feeling a billion eyes upon you when you mess up your touches. That's an overwhelming environment.

Donal Logue

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Donal Logue
Age: 59
Born: 1965
Born: February 27
Actor
Association Football Player
Film Actor
Film Director
Screenwriter
Television Actor
Writer
Ottawa (Ontario)
Donal Francis Logue
Feeling
Nerve
Touches
Eyes
Nerves
Upon
Billion
Eye
Overwhelming
Feelings
Billions
Wracking
Mess
Stadium
Environment
Stadiums

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I'm a huge fan of Michael Hirst, and I'm a huge fan of historical drama.
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This sounds so bogus, but I would love to, at some point when my kids are in college, is just go do a whole season at the Oregon Shakespeare Festival, and do a year of plays. Most actors miss the days of live theater.
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It's always surprised me that the most successful and really amazing shows are also the happiest environments, and very welcoming.
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Well Bill Martin and Mike Schiff were the creators and they knew we had to do a family show. Everybody came at it from the angle of having been a kid and a teenager.
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I'm a huge fan of things like The Wire and The Shield.
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A college football star, by his senior year, is used to running out there with 110,000 people going nuts. They feel comfortable in that environment. To me, a set feels like that. The one thing that I do know is that, as long as I'm prepared, I know this environment and this world.
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I did a pilot for HBO, called One Percent, that they didn't end up picking up, but it was a pretty intense and dramatic piece.
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There was something about that form of comedy that's just difficult. It never really felt like you could just fully commit to all the colors that you carry with you.
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One thing that's interesting is that whenever something starts, like the school year when you were a kid, it feels like such a significantly huge time in your life and how much life has changed. What's surprising is how quickly it's going by.
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I'd have to say my favorite thing about working on the show, and something that might be intriguing to other people, is that it's just such an amazingly welcoming environment to work in.
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There's a certain kind of existential freedom that comes to people who realize that all the things that they hold onto and that they think define them, once they're gone, there's this new freedom to determine the way you're going to live your life.
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I love not feeling this hydraulic pressure that you have to create this comic moment within every scene. You can just play it as it is.
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Then I did The Tao of Steve and that was at Sundance in 2000 where it did really well.
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No, I'm not a comic book guy. I'm pretty fascinated with the subculture though and I do think that the world of comic books is such a natural transition into film.
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I think in a weird way that the entertainment industry is strangely more brutally honest than any other.
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You can judge a country by the way it treats its prisoners, and you can always judge a show by the way it treats people coming on to do these guest shots.
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Fair or not, it always sucks when everyone wanders back from Sundance talking about how bad the movies were.
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Young actors are pretty fantastic. I can't even imagine doing stuff like that when I was a kid.
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My mom, she's from Ireland, coached tennis in Nigeria when she was a missionary and turned me on to it when I was young.
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