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I love not feeling this hydraulic pressure that you have to create this comic moment within every scene. You can just play it as it is.

Donal Logue

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Donal Logue
Age: 59
Born: 1965
Born: February 27
Actor
Association Football Player
Film Actor
Film Director
Screenwriter
Television Actor
Writer
Ottawa (Ontario)
Donal Francis Logue
Within
Moment
Feelings
Hydraulic
Moments
Comic
Play
Pressure
Every
Scene
Love
Create
Feeling

More quotes by Donal Logue

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The desert feels Irish in a way - lonely and barren. If someone said, 'Think of a happy place for you,' I'd say a glacial plane near the South Pole, the wind howling, nobody in sight, a shack with a pot-belly stove and some tea.
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I did pilots here and there but mostly I was doing little bits in movies.
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Follow your deepest dream, the one you had as a kidbut stay focused.
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Well Bill Martin and Mike Schiff were the creators and they knew we had to do a family show. Everybody came at it from the angle of having been a kid and a teenager.
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You can judge a country by the way it treats its prisoners, and you can always judge a show by the way it treats people coming on to do these guest shots.
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It's always surprised me that the most successful and really amazing shows are also the happiest environments, and very welcoming.
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One thing that's interesting is that whenever something starts, like the school year when you were a kid, it feels like such a significantly huge time in your life and how much life has changed. What's surprising is how quickly it's going by.
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I'm a professional hanger outer. I'm a super liability, too. I joke around and I'm like a hyper-active child.
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My mom, she's from Ireland, coached tennis in Nigeria when she was a missionary and turned me on to it when I was young.
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I remember working on movies like Gettysburg and feeling that Jeff Daniels was kind of a mentor.
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There was something about that form of comedy that's just difficult. It never really felt like you could just fully commit to all the colors that you carry with you.
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It's so nerve-wracking to go out into a stadium, feeling a billion eyes upon you when you mess up your touches. That's an overwhelming environment.
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I did a pilot for HBO, called One Percent, that they didn't end up picking up, but it was a pretty intense and dramatic piece.
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Fair or not, it always sucks when everyone wanders back from Sundance talking about how bad the movies were.
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It was all that stuff about taking your parents' car when you're 13, sneaking booze into rock shows and ditching school with your friends. I could relate to that as a former teenager, rather than as a present parent.
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There's a certain kind of existential freedom that comes to people who realize that all the things that they hold onto and that they think define them, once they're gone, there's this new freedom to determine the way you're going to live your life.
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I'd have to say my favorite thing about working on the show, and something that might be intriguing to other people, is that it's just such an amazingly welcoming environment to work in.
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The easiest and most accessible emotion is rage.
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As the season progresses, it's like the doors open up to all the different worlds that were teased about in the pilot.
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Then I did The Tao of Steve and that was at Sundance in 2000 where it did really well.
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