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I remember working on movies like Gettysburg and feeling that Jeff Daniels was kind of a mentor.

Donal Logue

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Donal Logue
Age: 59
Born: 1965
Born: February 27
Actor
Association Football Player
Film Actor
Film Director
Screenwriter
Television Actor
Writer
Ottawa (Ontario)
Donal Francis Logue
Mentor
Movies
Feeling
Working
Feelings
Remember
Kind
Gettysburg
Like
Jeff

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I'm a professional hanger outer. I'm a super liability, too. I joke around and I'm like a hyper-active child.
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As the season progresses, it's like the doors open up to all the different worlds that were teased about in the pilot.
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Fair or not, it always sucks when everyone wanders back from Sundance talking about how bad the movies were.
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There was something about that form of comedy that's just difficult. It never really felt like you could just fully commit to all the colors that you carry with you.
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The desert feels Irish in a way - lonely and barren. If someone said, 'Think of a happy place for you,' I'd say a glacial plane near the South Pole, the wind howling, nobody in sight, a shack with a pot-belly stove and some tea.
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Well Bill Martin and Mike Schiff were the creators and they knew we had to do a family show. Everybody came at it from the angle of having been a kid and a teenager.
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I'm a huge fan of Michael Hirst, and I'm a huge fan of historical drama.
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It's always surprised me that the most successful and really amazing shows are also the happiest environments, and very welcoming.
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I did a pilot for HBO, called One Percent, that they didn't end up picking up, but it was a pretty intense and dramatic piece.
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It didn't get into Sundance although I showed a rough cut which is a mistake to all filmmakers out there.
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I did pilots here and there but mostly I was doing little bits in movies.
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I'm a huge fan of things like The Wire and The Shield.
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The easiest and most accessible emotion is rage.
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Then I did The Tao of Steve and that was at Sundance in 2000 where it did really well.
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No, I'm not a comic book guy. I'm pretty fascinated with the subculture though and I do think that the world of comic books is such a natural transition into film.
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Every once in awhile, when you can see shades of the person's real interior life, I think that's interesting.
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My mom, she's from Ireland, coached tennis in Nigeria when she was a missionary and turned me on to it when I was young.
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I love not feeling this hydraulic pressure that you have to create this comic moment within every scene. You can just play it as it is.
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I have to say that it was a thrilling ride to be on 'Terriers.' It was this odd circumstance where it was really loved by the people it was loved by, but it didn't do well. In fairness to FX, they were just so generous in keeping it on the air the whole year.
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It's so nerve-wracking to go out into a stadium, feeling a billion eyes upon you when you mess up your touches. That's an overwhelming environment.
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