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It was all that stuff about taking your parents' car when you're 13, sneaking booze into rock shows and ditching school with your friends. I could relate to that as a former teenager, rather than as a present parent.

Donal Logue

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Donal Logue
Age: 59
Born: 1965
Born: February 27
Actor
Association Football Player
Film Actor
Film Director
Screenwriter
Television Actor
Writer
Ottawa (Ontario)
Donal Francis Logue
School
Taking
Sneaking
Parents
Booze
Present
Teenager
Parent
Relate
Friends
Former
Rather
Car
Stuff
Rock
Shows
Rocks
Ditching

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I have to say that it was a thrilling ride to be on 'Terriers.' It was this odd circumstance where it was really loved by the people it was loved by, but it didn't do well. In fairness to FX, they were just so generous in keeping it on the air the whole year.
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I love not feeling this hydraulic pressure that you have to create this comic moment within every scene. You can just play it as it is.
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My characters are always utterly sympathetic to me.
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The desert feels Irish in a way - lonely and barren. If someone said, 'Think of a happy place for you,' I'd say a glacial plane near the South Pole, the wind howling, nobody in sight, a shack with a pot-belly stove and some tea.
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I have 52 first cousins. My mom and dad were the only two to move to North America, so I've got deep family there, but I'm a California kid.
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It's always surprised me that the most successful and really amazing shows are also the happiest environments, and very welcoming.
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Fair or not, it always sucks when everyone wanders back from Sundance talking about how bad the movies were.
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Well Bill Martin and Mike Schiff were the creators and they knew we had to do a family show. Everybody came at it from the angle of having been a kid and a teenager.
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There's a certain kind of existential freedom that comes to people who realize that all the things that they hold onto and that they think define them, once they're gone, there's this new freedom to determine the way you're going to live your life.
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As the season progresses, it's like the doors open up to all the different worlds that were teased about in the pilot.
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Then I did The Tao of Steve and that was at Sundance in 2000 where it did really well.
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It's so nerve-wracking to go out into a stadium, feeling a billion eyes upon you when you mess up your touches. That's an overwhelming environment.
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One thing that's interesting is that whenever something starts, like the school year when you were a kid, it feels like such a significantly huge time in your life and how much life has changed. What's surprising is how quickly it's going by.
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Every once in awhile, when you can see shades of the person's real interior life, I think that's interesting.
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I remember working on movies like Gettysburg and feeling that Jeff Daniels was kind of a mentor.
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No, I'm not a comic book guy. I'm pretty fascinated with the subculture though and I do think that the world of comic books is such a natural transition into film.
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We own our movie and are now close to breaking even, even without finishing domestic DVD deals.
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I did a pilot for HBO, called One Percent, that they didn't end up picking up, but it was a pretty intense and dramatic piece.
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It didn't get into Sundance although I showed a rough cut which is a mistake to all filmmakers out there.
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There was something about that form of comedy that's just difficult. It never really felt like you could just fully commit to all the colors that you carry with you.
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