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There were moments when she wasn't talking so much as fading into time, dropping back into some funnelled stretch of recent past.

Don DeLillo

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Don DeLillo
Age: 87
Born: 1936
Born: November 20
Essayist
Journalist
Novelist
Playwright
Screenwriter
Writer
New York City
New York
Don Delillo
Donald Richard DeLillo
Recent
Wasn
Talking
Moments
Past
Back
Fading
Much
Dropping
Time
Stretch

More quotes by Don DeLillo

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I was always younger than anyone around me. One day it began to change.
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Technology and violence are interdependent.
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Naturally a direct comparison of terrorist and novelist is complete nonsense. But there was once a time when the novelist also had some influence on how his contemporaries thought, the way they saw the world, the way they lived.
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I never wanted to change the world. Norman Mailer wanted to, he set himself the task of changing the consciousness of our age. And I think he came pretty close, in the 1960s, to actually managing to do it. But me? No, no, I never wanted anything like that. I'm not Maileresque.
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In these night recitations we create a space between things as we felt them at the time and as we speak them now. This is the space reserved for irony, sympathy and fond amusement, the means by which we rescue ourselves from the past.
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The writer is driven by his conviction that some truths aren't arrived at so easily, that life is still full of mystery, that it might be better for you, Dear Reader, if you went back to the Living section of your newspaper because this is the dying section and you don't really want to be here.
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Money has lost its narrative quality the way painting did once upon a time. Money is talking to itself.
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What did it mean, the first time, a thinking creature looked deeply into another's eyes? Did it take a hundred thousand years before this happened or it was the first thing they did, transcendingly, the thing that made them higher, made them modern, the gaze that demonstrates we are lonely in our souls?
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The greater the scientific advance, the more primitive the fear.
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There is a set of balances and rhythms to a novel that we can't experience in real life. So I think there is a sense in which fiction can rescue history from confusion.
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It was the time of year, the time of day, for a small insistent sadness to pass into the texture of things. Dusk, silence, iron chill. Something lonely in the bone.
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There came a time in every prolonged effort when he had a moment of near panic, or 'terror in a lonely place', the original semantic content of the word. The lonely place was his own mind.
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To portray America over the past twenty years or so, I would think immediately of football, probably the Super Bowl in its sumptuous suggestion of a national death wish.
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Fame and secrecy are the high and low ends of the same fascination.
Don DeLillo
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I've come to think of Europe as a hardcover book, America as the paperback version.
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Something lurked inside the truth.
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We need time to lose interest in things.
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I didn’t do anything. I don’t have an explanation, I don’t know why I wanted to write. I did some short stories at that time, but very infrequently. I quit my job just to quit. I didn’t quit my job to write fiction. I just didn’t want to work anymore
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He took pains to avoid self-depreciation, self-mockery, ambiguity, irony, subtlety, vulnerability, a civilized world-weariness and a tragic sense of history--the very things, he says, that are most natural to him.
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Ecology is boring for the same reason that destruction is fun.
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