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What terrorists gain, novelists lose.

Don DeLillo

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Don DeLillo
Age: 88
Born: 1936
Born: November 20
Essayist
Journalist
Novelist
Playwright
Screenwriter
Writer
New York City
New York
Don Delillo
Donald Richard DeLillo
Gains
Lose
Loses
Terrorists
Novelists
Terrorist
Gain

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Money has lost its narrative quality the way painting did once upon a time. Money is talking to itself.
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The world is shrinking into a kind of technological funnel. I think people are drawn into their technological devices, and this becomes a kind of subjective universe, into which much of the rest of the world simply does not enter.
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There is a set of balances and rhythms to a novel that we can't experience in real life. So I think there is a sense in which fiction can rescue history from confusion.
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Out of some persistent sense of large-scale ruin, we kept inventing hope.
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The question of dying becomes a wise reminder. It cures us of our innocence of the future.
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I'd like to lose interest in myself.
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All plots tend to move deathward. This is the nature of plots.
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I think fiction recues history from its confusions.
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He took pains to avoid self-depreciation, self-mockery, ambiguity, irony, subtlety, vulnerability, a civilized world-weariness and a tragic sense of history--the very things, he says, that are most natural to him.
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Nostalgia is a product of dissatisfaction and rage. It´s a settling of grievances between the present and the past.
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Sex finds us. Sex sees through us. That's why it's so shattering. It strips us of appearances.
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People think about who they are in the stillest hour of the night. I carry this thought, the child's mystery and terror of this thought, I feel this immensity in my soul every second of my life.
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America can be saved only by what it's trying to destroy.
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There's a curious knot that binds novelists and terrorists...Years ago I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory. They make raids on human consciousness. What writers used to do before we were all incorporated.
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You have to break through the structure of your own stonework habit just to make yourself listen.
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There is a world inside the world.
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The less important you are in an office, the more they expect the happy smile.
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A writer decides to follow some ideas and not others for reasons that aren't always clear to him. It's often a matter of intuition.
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In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.
Don DeLillo
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To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.
Don DeLillo